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Sergei M. Eisenstein: Notes for a General History of Cinema
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Titel: | Sergei M. Eisenstein :: Notes for a General History of Cinema/ ed. by Naum Kleiman, Antonio Somaini. |
Titelanmerkung: | Frontmatter Table of Contents Acknowledgements Editorial Criteria Foreword Cinema as “Dynamic Mummification,” History as Montage: Eisenstein’s Media Archaeology Part One. Notes for a General History of Cinema 1. The Heir 2. Dynamic Mummification: Notes for a General History of Cinema 3. Revelation in Storm and Thunder 4. In Praise of the Cine-chronicle 5. The Place of Cinema in the General System of the History of the Art 6. Pioneers and Innovators Part Two. Essays 1. What Renders Daumier’s Art so Cinematic for Eisenstein? 2. “The Heritage We Renounce”: Eisenstein in Historio-graphy 3. The Notes for a General History of Cinema and the Dialectic of the Eisensteinian Image 4. Act Now!, or For an Untimely Eisenstein 5. Pathos and Praxis (Eisenstein versus Barthes) 6. Eisenstein’s Absolutely Wonderful, Totally Impossible Project 7. Dynamic Typicality 8. Archaeology vs. Paleontology: A Note on Eisenstein’s Notes for a General History of Cinema 9. Point – Pathos – Totality 10. Distant Echoes 11. “Synthesis” of the Arts or “Friendly Cooperation” between the Arts? The General History of Cinema According to Eisenstein 12. Eisenstein’s Mummy Complex: Temporality, Trauma, and a Distinction in Eisenstein’s Notes for a General History of Cinema 13. Sergei Eisenstein and the Soviet Models for the Study of Cinema, 1920s-1940s Bibliography Notes Index of names Contributors |
Sprache: | English |
veröffentlicht: |
Amsterdam :
Amsterdam University Press,
[2022]
©2016 |
Gesamtaufnahme: |
Film Theory in Media History |
Anmerkungen: | In English |
Beschreibung: | 1 Online-Ressource (500 p.) |
ISBN: | 9789048517114, 9048517117 |