Eintrag weiter verarbeiten

Sergei M. Eisenstein: Notes for a General History of Cinema

Personen und Körperschaften: Ackerman, Ada (Sonstige), Albera, François (Sonstige), Arsenjuk, Luka (Sonstige), Baumbach, Nico (Sonstige), Didi-Huberman, Georges (Sonstige), Eisenstein, Sergei M.,. (Sonstige), Gaines, Jane (Sonstige), Geil, Abe (Sonstige), Hediger, Vinzenz (Sonstige), Iampolski, Mikhail (Sonstige), Khopkar, Arun (Sonstige), Kleiman, Naum (Sonstige, Herausgeber*in), Montani, Pietro (Sonstige), Rosen, Philip (Sonstige), Ryabchikova, Natalie (Sonstige), Salazkina, Masha (Sonstige), Somaini, Antonio (Sonstige, Herausgeber*in)
Titel: Sergei M. Eisenstein :: Notes for a General History of Cinema/ ed. by Naum Kleiman, Antonio Somaini.
Titelanmerkung: Frontmatter
Table of Contents
Acknowledgements
Editorial Criteria
Foreword
Cinema as “Dynamic Mummification,” History as Montage: Eisenstein’s Media Archaeology
Part One. Notes for a General History of Cinema
1. The Heir
2. Dynamic Mummification: Notes for a General History of Cinema
3. Revelation in Storm and Thunder
4. In Praise of the Cine-chronicle
5. The Place of Cinema in the General System of the History of the Art
6. Pioneers and Innovators
Part Two. Essays
1. What Renders Daumier’s Art so Cinematic for Eisenstein?
2. “The Heritage We Renounce”: Eisenstein in Historio-graphy
3. The Notes for a General History of Cinema and the Dialectic of the Eisensteinian Image
4. Act Now!, or For an Untimely Eisenstein
5. Pathos and Praxis (Eisenstein versus Barthes)
6. Eisenstein’s Absolutely Wonderful, Totally Impossible Project
7. Dynamic Typicality
8. Archaeology vs. Paleontology: A Note on Eisenstein’s Notes for a General History of Cinema
9. Point – Pathos – Totality
10. Distant Echoes
11. “Synthesis” of the Arts or “Friendly Cooperation” between the Arts? The General History of Cinema According to Eisenstein
12. Eisenstein’s Mummy Complex: Temporality, Trauma, and a Distinction in Eisenstein’s Notes for a General History of Cinema
13. Sergei Eisenstein and the Soviet Models for the Study of Cinema, 1920s-1940s
Bibliography
Notes
Index of names
Contributors
Sprache: English
veröffentlicht:
Amsterdam : Amsterdam University Press, [2022]
©2016
Gesamtaufnahme: Film Theory in Media History
Anmerkungen: In English
Beschreibung: 1 Online-Ressource (500 p.)
ISBN: 9789048517114, 9048517117