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Campus Medius: Digital Mapping in Cultural and Media Studies
| Authors and Corporations: | |
|---|---|
| Title: | Campus Medius: Digital Mapping in Cultural and Media Studies/ Simon Ganahl |
| Title Note: | Frontmatter Contents Preface I. Overview 1. Topography: Campus Medius 1.0 2. Topology: Campus Medius 2.0 3. Data Model and Infrastructure 4. Mapping Modern Media II. Topography 1. Aspern Airfield 2. Lion of Aspern 3. Lassalle Hof 4. Adolf Hitler House 5. UFA Ton Kino 6. Burgtheater 7. Engelmann Arena 8. Friedensbrücken Kino 9. Neue Freie Presse 10. Schönbrunn Palace Gardens 11. Tonkino Fischer 12. Karl Marx Hof 13. Radio Wien 14. German Embassy 15. Schwarzenbergplatz III. Topology 1. How to Use Reason: Sovereign Signs 2. How to Capture Life: Examining Gazes 3. How to Speak Up: Governed Transmissions IV. Appendix 1. List of Figures 2. List of Sources 3. Project Team |
| Language: | English |
| published: |
Bielefeld
transcript Verlag
[2022]
©2022 |
| Series: |
Digital Humanities |
| Notes: | In English |
| Item Description: | 1 Online-Ressource (356 Seiten) |
| ISBN: | 9783839456019, 3839456010 |
| DOI: | 10.1515/9783839456019 |
| Digital cartography offers new opportunities for research in cultural and media studies. Simon Ganahl documents the development of a project from a historical case study to a mapping platform. Based on the question what a media experience is, the concepts of the apparatus (dispositif) and the actor-network are translated into a data model. A time-space of 24 hours in Vienna in May 1933, marked by a so-called »Turks Deliverance Celebration« (Türkenbefreiungsfeier), serves as an empirical laboratory. This Austrofascist rally is mapped from multiple perspectives and weaved into media-historical networks, spanning from the seventeenth century up to the present day. |