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|a The nineteenth century witnessed a series of revolutions in the production and circulation of images. From lithographs and engraved reproductions of paintings to daguerreotypes, stereoscopic views, and mass-produced sculptures, works of visual art became available in a wider range of media than ever before. But the circulation and reproduction of artworks also raised new questions about the legal rights of painters, sculptors, engravers, photographers, architects, collectors, publishers, and subjects of representation (such as sitters in paintings or photographs). Copyright and patent laws tussled with informal cultural norms and business strategies as individuals and groups attempted to exert some degree of control over these visual creations. With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century. This book will be valuable reading for historians of art and visual culture; legal scholars who work on the history of copyright and patent law; and literary scholars and historians who work in the field of book history. It will also resonate with anyone interested in current debates about the circulation and control of images in our digital age
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Delamaire, Marie-Stéphanie, Slauter, Will |
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The nineteenth century witnessed a series of revolutions in the production and circulation of images. From lithographs and engraved reproductions of paintings to daguerreotypes, stereoscopic views, and mass-produced sculptures, works of visual art became available in a wider range of media than ever before. But the circulation and reproduction of artworks also raised new questions about the legal rights of painters, sculptors, engravers, photographers, architects, collectors, publishers, and subjects of representation (such as sitters in paintings or photographs). Copyright and patent laws tussled with informal cultural norms and business strategies as individuals and groups attempted to exert some degree of control over these visual creations. With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century. This book will be valuable reading for historians of art and visual culture; legal scholars who work on the history of copyright and patent law; and literary scholars and historians who work in the field of book history. It will also resonate with anyone interested in current debates about the circulation and control of images in our digital age |
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Delamaire, Marie-Stéphanie HerausgeberIn edt, Circulation and Control Artistic Culture and Intellectual Property in the Nineteenth Century, [Erscheinungsort nicht ermittelbar] Open Book Publishers 2021, 1 Online-Ressource (540 p.), Text txt rdacontent, Computermedien c rdamedia, Online-Ressource cr rdacarrier, Open Access Unrestricted online access star, The nineteenth century witnessed a series of revolutions in the production and circulation of images. From lithographs and engraved reproductions of paintings to daguerreotypes, stereoscopic views, and mass-produced sculptures, works of visual art became available in a wider range of media than ever before. But the circulation and reproduction of artworks also raised new questions about the legal rights of painters, sculptors, engravers, photographers, architects, collectors, publishers, and subjects of representation (such as sitters in paintings or photographs). Copyright and patent laws tussled with informal cultural norms and business strategies as individuals and groups attempted to exert some degree of control over these visual creations. With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century. This book will be valuable reading for historians of art and visual culture; legal scholars who work on the history of copyright and patent law; and literary scholars and historians who work in the field of book history. It will also resonate with anyone interested in current debates about the circulation and control of images in our digital age, Creative Commons https://creativecommons.org/licenses/by/4.0 cc, English, Intellectual property law, Copyright law, Publishing industry & book trade, Social & cultural history, Music, Biography: arts & entertainment, Films, cinema, Photography & photographs, Slauter, Will HerausgeberIn edt, https://directory.doabooks.org/handle/20.500.12854/72668 X:DOAB Verlag kostenfrei, https://directory.doabooks.org/handle/20.500.12854/72668 Zum Online-Dokument DE-Zi4, DE-Zi4 2022-03-04T11:37:54Z, https://directory.doabooks.org/handle/20.500.12854/72668 LFER, LFER 2022-03-04T11:37:54Z |
spellingShingle |
Circulation and Control: Artistic Culture and Intellectual Property in the Nineteenth Century, The nineteenth century witnessed a series of revolutions in the production and circulation of images. From lithographs and engraved reproductions of paintings to daguerreotypes, stereoscopic views, and mass-produced sculptures, works of visual art became available in a wider range of media than ever before. But the circulation and reproduction of artworks also raised new questions about the legal rights of painters, sculptors, engravers, photographers, architects, collectors, publishers, and subjects of representation (such as sitters in paintings or photographs). Copyright and patent laws tussled with informal cultural norms and business strategies as individuals and groups attempted to exert some degree of control over these visual creations. With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century. This book will be valuable reading for historians of art and visual culture; legal scholars who work on the history of copyright and patent law; and literary scholars and historians who work in the field of book history. It will also resonate with anyone interested in current debates about the circulation and control of images in our digital age, Intellectual property law, Copyright law, Publishing industry & book trade, Social & cultural history, Music, Biography: arts & entertainment, Films, cinema, Photography & photographs |
title |
Circulation and Control: Artistic Culture and Intellectual Property in the Nineteenth Century |
title_auth |
Circulation and Control Artistic Culture and Intellectual Property in the Nineteenth Century |
title_full |
Circulation and Control Artistic Culture and Intellectual Property in the Nineteenth Century |
title_fullStr |
Circulation and Control Artistic Culture and Intellectual Property in the Nineteenth Century |
title_full_unstemmed |
Circulation and Control Artistic Culture and Intellectual Property in the Nineteenth Century |
title_short |
Circulation and Control |
title_sort |
circulation and control artistic culture and intellectual property in the nineteenth century |
title_sub |
Artistic Culture and Intellectual Property in the Nineteenth Century |
topic |
Intellectual property law, Copyright law, Publishing industry & book trade, Social & cultural history, Music, Biography: arts & entertainment, Films, cinema, Photography & photographs |
topic_facet |
Intellectual property law, Copyright law, Publishing industry & book trade, Social & cultural history, Music, Biography: arts & entertainment, Films, cinema, Photography & photographs |
url |
https://directory.doabooks.org/handle/20.500.12854/72668 |