Further processing options

Push: software design and the cultural politics of music production

Bibliographic Details
Authors and Corporations: D'Errico, Mike (Author)
Title: Push: software design and the cultural politics of music production/ Mike D'Errico
Language: English
published:
New York, NY Oxford University Press 2022
Series: Oxford scholarship online
Item Description: 1 online resource (322 pages); illustrations (black and white) ; Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 15, 2021)
ISBN: 9780190943349
DOI: 10.1093/oso/9780190943301.001.0001
LEADER 05401cam a2201021 4500
001 0-1787467171
003 DE-627
005 20240111104736.0
007 cr uuu---uuuuu
008 220128s2022 xx |||||o 00| ||eng c
020 |a 9780190943349  |c ebook  |9 978-0-19-094334-9 
024 7 |a 10.1093/oso/9780190943301.001.0001  |2 doi 
035 |a (DE-627)1787467171 
035 |a (DE-599)KEP072904216 
035 |a (OCoLC)1293986447 
035 |a (UK-OxUP)EDZ0002676858 
035 |a (EBP)072904216 
040 |a DE-627  |b ger  |c DE-627  |e rda 
041 |a eng 
082 0 |a 781.49  |2 23 
100 1 |a D'Errico, Mike  |e VerfasserIn  |0 (DE-588)1046952757  |0 (DE-627)777357860  |0 (DE-576)400272202  |4 aut 
245 1 0 |a Push  |b software design and the cultural politics of music production  |c Mike D'Errico 
264 1 |a New York, NY  |b Oxford University Press  |c 2022 
300 |a 1 online resource (322 pages)  |b illustrations (black and white). 
336 |a Text  |b txt  |2 rdacontent 
336 |a unbewegtes Bild  |b sti  |2 rdacontent 
337 |a Computermedien  |b c  |2 rdamedia 
338 |a Online-Ressource  |b cr  |2 rdacarrier 
490 0 |a Oxford scholarship online 
500 |a Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 15, 2021) 
520 |a 'Push' shows how changes in the design of music software in the first decades of the 21st century shaped the production techniques and performance practices of artists working across media, from hip-hop and electronic dance music to video games and mobile apps. Emerging alongside developments in digital music distribution such as peer-to-peer file sharing and the MP3 format, digital audio workstations like FL Studio and Ableton Live introduced design affordances that encouraged rapid music creation workflows through flashy, 'user-friendly' interfaces. Meanwhile, software such as Avid's Pro Tools attempted to protect its status as the 'industry standard,' 'professional' DAW of choice by incorporating design elements from pre-digital music technologies. 
650 0 |a Sound  |x Recording and reproducing  |x Digital techniques  |x History 
650 0 |a Popular music  |x Production and direction 
650 0 |a Electronica (Music)  |x Production and direction 
650 0 |a Music  |x Computer programs 
776 1 |z 9780190943301 
776 1 |z 9780190943318 
776 0 8 |i Erscheint auch als  |n Druck-Ausgabe  |a D'Errico, Mike  |t Push  |d New York : Oxford University Press, 2022  |h xii, 322 Seiten  |w (DE-627)1768264198  |z 9780190943318  |z 9780190943301 
856 4 0 |u http://dx.doi.org/10.1093/oso/9780190943301.001.0001  |m X:OXFORD  |x Resolving-System  |z lizenzpflichtig 
912 |a ZDB-28-OSM  |b 2021 
912 |a GBV-28-OUP-SBB 
912 |a ZDB-28-OSD 
951 |a BO 
900 |a Errico, Mike D' 
951 |b XD-US 
856 4 0 |u http://dx.doi.org/10.1093/oso/9780190943301.001.0001  |9 DE-14 
852 |a DE-14  |x epn:4047118176  |z 2022-01-28T15:22:11Z 
856 4 0 |u http://dx.doi.org/10.1093/oso/9780190943301.001.0001  |y Online-Zugriff  |9 DE-15 
852 |a DE-15  |x epn:4125831025  |z 2022-04-29T09:13:43Z 
912 |9 DE-105  |a ZDB-28-OSM 
972 |k Campuslizenz 
972 |c EBOOK 
852 |a DE-105  |x epn:4112460384  |z 2022-04-06T10:33:27Z 
975 |o E-Book Oxford 
975 |k Elektronischer Volltext - Campuslizenz 
856 4 0 |u http://dx.doi.org/10.1093/oso/9780190943301.001.0001  |9 DE-Zwi2 
852 |a DE-Zwi2  |x epn:4109551919  |z 2022-04-01T09:52:18Z 
976 |h Elektronischer Volltext. Zugang innerhalb des Campusnetzes. Außerhalb des Campusnetzes ist der Zugang nur für HSZG-Angehörige möglich. 
856 4 0 |u http://dx.doi.org/10.1093/oso/9780190943301.001.0001  |z Zum Online-Dokument  |9 DE-Zi4 
852 |a DE-Zi4  |x epn:4112550219  |z 2022-04-06T14:15:44Z 
856 4 0 |u http://dx.doi.org/10.1093/oso/9780190943301.001.0001  |y HTWK-Zugang  |9 DE-L189 
852 |a DE-L189  |x epn:4112522525  |z 2022-04-06T12:49:00Z 
856 4 0 |u http://dx.doi.org/10.1093/oso/9780190943301.001.0001  |9 DE-520 
852 |a DE-520  |x epn:4112455631  |z 2022-04-06T10:24:57Z 
856 4 0 |u http://dx.doi.org/10.1093/oso/9780190943301.001.0001  |9 DE-L242 
852 |a DE-L242  |x epn:4125911282  |z 2022-04-29T09:24:16Z 
856 4 0 |u http://dx.doi.org/10.1093/oso/9780190943301.001.0001  |z Volltext-Zugang für registrierte Benutzer der Bibliothek  |9 DE-D117 
852 |a DE-D117  |x epn:4047118184  |z 2023-01-13T13:43:19Z 
970 |c OD  |x lib:1787467171 
856 4 0 |u http://dx.doi.org/10.1093/oso/9780190943301.001.0001  |x Login für Zugang außerhalb des Hochschulnetzes  |9 DE-L152 
852 |a DE-L152  |x epn:4117896504  |z 2022-04-14T13:52:11Z 
856 4 0 |u http://dx.doi.org/10.1093/oso/9780190943301.001.0001  |9 DE-Ch1 
852 |a DE-Ch1  |x epn:4461366235  |z 2024-01-18T16:25:19Z 
912 |9 DE-105  |a ZDB-28-OSD 
972 |k Campuslizenz 
972 |c EBOOK 
852 |a DE-105  |x epn:4461083039  |z 2024-01-18T15:12:27Z 
856 4 0 |u http://dx.doi.org/10.1093/oso/9780190943301.001.0001  |9 ILN: 736 
852 |a ILN: 736  |x epn:4534056575  |z 2024-06-03T23:33:38Z 
852 |a DE-Bn3  |2 finc ba 
852 |a DE-Brt1  |2 finc ba 
852 |a DE-D161  |2 finc ba 
852 |a DE-Gla1  |2 finc ba 
852 |a DE-L229  |2 finc ba 
852 |a DE-Rs1  |2 finc ba 
852 |a DE-Pl11  |2 finc ba 
852 |a DE-D275  |2 finc ba 
980 |a 1787467171  |b 0  |k 1787467171 
openURL url_ver=Z39.88-2004&ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fvufind.svn.sourceforge.net%3Agenerator&rft.title=Push%3A+software+design+and+the+cultural+politics+of+music+production&rft.date=2022&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Push%3A+software+design+and+the+cultural+politics+of+music+production&rft.series=Oxford+scholarship+online&rft.au=D%27Errico%2C+Mike&rft.pub=Oxford+University+Press&rft.edition=&rft.isbn=0190943343
SOLR
_version_ 1818179762746556416
author D'Errico, Mike
author_facet D'Errico, Mike
author_role aut
author_sort D'Errico, Mike
author_variant m d md
collection ZDB-28-OSM, GBV-28-OUP-SBB, ZDB-28-OSD
contents 'Push' shows how changes in the design of music software in the first decades of the 21st century shaped the production techniques and performance practices of artists working across media, from hip-hop and electronic dance music to video games and mobile apps. Emerging alongside developments in digital music distribution such as peer-to-peer file sharing and the MP3 format, digital audio workstations like FL Studio and Ableton Live introduced design affordances that encouraged rapid music creation workflows through flashy, 'user-friendly' interfaces. Meanwhile, software such as Avid's Pro Tools attempted to protect its status as the 'industry standard,' 'professional' DAW of choice by incorporating design elements from pre-digital music technologies.
ctrlnum (DE-627)1787467171, (DE-599)KEP072904216, (OCoLC)1293986447, (UK-OxUP)EDZ0002676858, (EBP)072904216
de105_date 2022-04-06T10:33:27Z
de15_date 2022-04-29T09:13:43Z
dech1_date 2024-01-18T16:25:19Z
del152_provenance_txt_mv lib:1787467171
dewey-full 781.49
dewey-hundreds 700 - The arts
dewey-ones 781 - General principles and musical forms
dewey-raw 781.49
dewey-search 781.49
dewey-sort 3781.49
dewey-tens 780 - Music
doi_str_mv 10.1093/oso/9780190943301.001.0001
facet_912a ZDB-28-OSM, GBV-28-OUP-SBB, ZDB-28-OSD
facet_avail Online
finc_class_facet Musikwissenschaft
footnote Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 15, 2021)
format eBook, StillImage
format_access_txtF_mv Book, E-Book
format_de105 Ebook
format_de14 Book, E-Book
format_de15 Book, E-Book
format_del152 Buch
format_detail_txtF_mv text-online-monograph-independent
format_dezi4 e-Book
format_finc Book, E-Book, Visual Media
format_legacy ElectronicBook
format_legacy_nrw Book, E-Book
format_nrw Book, E-Book
format_one Electronic, eBook
format_strict_txtF_mv E-Book
geogr_code not assigned
geogr_code_person USA
id 0-1787467171
illustrated Illustrated
imprint New York, NY, Oxford University Press, 2022
imprint_str_mv New York, NY: Oxford University Press, 2022
institution DE-D117, DE-105, ILN: 736, DE-Gla1, DE-Brt1, DE-D275, DE-Ch1, DE-D161, DE-520, DE-L152, DE-15, DE-Pl11, DE-Rs1, DE-Bn3, DE-14, DE-L189, DE-Zi4, DE-L242, DE-Zwi2, DE-L229
is_hierarchy_id
is_hierarchy_title
isbn 9780190943349
isbn_isn_mv 9780190943301, 9780190943318
kxp_id_str 1787467171
language English
last_indexed 2024-12-11T21:08:56.307Z
local_heading_facet_dezwi2 Sound, Popular music, Electronica (Music), Music, Recording and reproducing, Digital techniques, History, Production and direction, Computer programs
marc024a_ct_mv 10.1093/oso/9780190943301.001.0001
match_str derrico2022pushsoftwaredesignandtheculturalpoliticsofmusicproduction
mega_collection Verbunddaten SWB, Oxford E-Books
misc_de105 EBOOK
misc_del152 Buch
names_id_str_mv (DE-588)1046952757, (DE-627)777357860, (DE-576)400272202
oclc_num 1293986447
physical 1 online resource (322 pages); illustrations (black and white)
publishDate 2022
publishDateSort 2022
publishPlace New York, NY
publisher Oxford University Press
record_format marcfinc
record_id 1787467171
recordtype marcfinc
rvk_facet No subject assigned
series2 Oxford scholarship online
source_id 0
spelling D'Errico, Mike VerfasserIn (DE-588)1046952757 (DE-627)777357860 (DE-576)400272202 aut, Push software design and the cultural politics of music production Mike D'Errico, New York, NY Oxford University Press 2022, 1 online resource (322 pages) illustrations (black and white)., Text txt rdacontent, unbewegtes Bild sti rdacontent, Computermedien c rdamedia, Online-Ressource cr rdacarrier, Oxford scholarship online, Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 15, 2021), 'Push' shows how changes in the design of music software in the first decades of the 21st century shaped the production techniques and performance practices of artists working across media, from hip-hop and electronic dance music to video games and mobile apps. Emerging alongside developments in digital music distribution such as peer-to-peer file sharing and the MP3 format, digital audio workstations like FL Studio and Ableton Live introduced design affordances that encouraged rapid music creation workflows through flashy, 'user-friendly' interfaces. Meanwhile, software such as Avid's Pro Tools attempted to protect its status as the 'industry standard,' 'professional' DAW of choice by incorporating design elements from pre-digital music technologies., Sound Recording and reproducing Digital techniques History, Popular music Production and direction, Electronica (Music) Production and direction, Music Computer programs, 9780190943301, 9780190943318, Erscheint auch als Druck-Ausgabe D'Errico, Mike Push New York : Oxford University Press, 2022 xii, 322 Seiten (DE-627)1768264198 9780190943318 9780190943301, http://dx.doi.org/10.1093/oso/9780190943301.001.0001 X:OXFORD Resolving-System lizenzpflichtig, http://dx.doi.org/10.1093/oso/9780190943301.001.0001 DE-14, DE-14 epn:4047118176 2022-01-28T15:22:11Z, http://dx.doi.org/10.1093/oso/9780190943301.001.0001 Online-Zugriff DE-15, DE-15 epn:4125831025 2022-04-29T09:13:43Z, DE-105 epn:4112460384 2022-04-06T10:33:27Z, http://dx.doi.org/10.1093/oso/9780190943301.001.0001 DE-Zwi2, DE-Zwi2 epn:4109551919 2022-04-01T09:52:18Z, http://dx.doi.org/10.1093/oso/9780190943301.001.0001 Zum Online-Dokument DE-Zi4, DE-Zi4 epn:4112550219 2022-04-06T14:15:44Z, http://dx.doi.org/10.1093/oso/9780190943301.001.0001 HTWK-Zugang DE-L189, DE-L189 epn:4112522525 2022-04-06T12:49:00Z, http://dx.doi.org/10.1093/oso/9780190943301.001.0001 DE-520, DE-520 epn:4112455631 2022-04-06T10:24:57Z, http://dx.doi.org/10.1093/oso/9780190943301.001.0001 DE-L242, DE-L242 epn:4125911282 2022-04-29T09:24:16Z, http://dx.doi.org/10.1093/oso/9780190943301.001.0001 Volltext-Zugang für registrierte Benutzer der Bibliothek DE-D117, DE-D117 epn:4047118184 2023-01-13T13:43:19Z, http://dx.doi.org/10.1093/oso/9780190943301.001.0001 Login für Zugang außerhalb des Hochschulnetzes DE-L152, DE-L152 epn:4117896504 2022-04-14T13:52:11Z, http://dx.doi.org/10.1093/oso/9780190943301.001.0001 DE-Ch1, DE-Ch1 epn:4461366235 2024-01-18T16:25:19Z, DE-105 epn:4461083039 2024-01-18T15:12:27Z, http://dx.doi.org/10.1093/oso/9780190943301.001.0001 ILN: 736, ILN: 736 epn:4534056575 2024-06-03T23:33:38Z, DE-Bn3 finc ba, DE-Brt1 finc ba, DE-D161 finc ba, DE-Gla1 finc ba, DE-L229 finc ba, DE-Rs1 finc ba, DE-Pl11 finc ba, DE-D275 finc ba
spellingShingle D'Errico, Mike, Push: software design and the cultural politics of music production, 'Push' shows how changes in the design of music software in the first decades of the 21st century shaped the production techniques and performance practices of artists working across media, from hip-hop and electronic dance music to video games and mobile apps. Emerging alongside developments in digital music distribution such as peer-to-peer file sharing and the MP3 format, digital audio workstations like FL Studio and Ableton Live introduced design affordances that encouraged rapid music creation workflows through flashy, 'user-friendly' interfaces. Meanwhile, software such as Avid's Pro Tools attempted to protect its status as the 'industry standard,' 'professional' DAW of choice by incorporating design elements from pre-digital music technologies., Sound Recording and reproducing Digital techniques History, Popular music Production and direction, Electronica (Music) Production and direction, Music Computer programs
title Push: software design and the cultural politics of music production
title_auth Push software design and the cultural politics of music production
title_full Push software design and the cultural politics of music production Mike D'Errico
title_fullStr Push software design and the cultural politics of music production Mike D'Errico
title_full_unstemmed Push software design and the cultural politics of music production Mike D'Errico
title_short Push
title_sort push software design and the cultural politics of music production
title_sub software design and the cultural politics of music production
title_unstemmed Push: software design and the cultural politics of music production
topic Sound Recording and reproducing Digital techniques History, Popular music Production and direction, Electronica (Music) Production and direction, Music Computer programs
topic_facet Sound, Popular music, Electronica (Music), Music, Recording and reproducing, Digital techniques, History, Production and direction, Computer programs
url http://dx.doi.org/10.1093/oso/9780190943301.001.0001
work_keys_str_mv AT derricomike pushsoftwaredesignandtheculturalpoliticsofmusicproduction