|
|
|
|
LEADER |
05401cam a2201021 4500 |
001 |
0-1787467171 |
003 |
DE-627 |
005 |
20240111104736.0 |
007 |
cr uuu---uuuuu |
008 |
220128s2022 xx |||||o 00| ||eng c |
020 |
|
|
|a 9780190943349
|c ebook
|9 978-0-19-094334-9
|
024 |
7 |
|
|a 10.1093/oso/9780190943301.001.0001
|2 doi
|
035 |
|
|
|a (DE-627)1787467171
|
035 |
|
|
|a (DE-599)KEP072904216
|
035 |
|
|
|a (OCoLC)1293986447
|
035 |
|
|
|a (UK-OxUP)EDZ0002676858
|
035 |
|
|
|a (EBP)072904216
|
040 |
|
|
|a DE-627
|b ger
|c DE-627
|e rda
|
041 |
|
|
|a eng
|
082 |
0 |
|
|a 781.49
|2 23
|
100 |
1 |
|
|a D'Errico, Mike
|e VerfasserIn
|0 (DE-588)1046952757
|0 (DE-627)777357860
|0 (DE-576)400272202
|4 aut
|
245 |
1 |
0 |
|a Push
|b software design and the cultural politics of music production
|c Mike D'Errico
|
264 |
|
1 |
|a New York, NY
|b Oxford University Press
|c 2022
|
300 |
|
|
|a 1 online resource (322 pages)
|b illustrations (black and white).
|
336 |
|
|
|a Text
|b txt
|2 rdacontent
|
336 |
|
|
|a unbewegtes Bild
|b sti
|2 rdacontent
|
337 |
|
|
|a Computermedien
|b c
|2 rdamedia
|
338 |
|
|
|a Online-Ressource
|b cr
|2 rdacarrier
|
490 |
0 |
|
|a Oxford scholarship online
|
500 |
|
|
|a Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 15, 2021)
|
520 |
|
|
|a 'Push' shows how changes in the design of music software in the first decades of the 21st century shaped the production techniques and performance practices of artists working across media, from hip-hop and electronic dance music to video games and mobile apps. Emerging alongside developments in digital music distribution such as peer-to-peer file sharing and the MP3 format, digital audio workstations like FL Studio and Ableton Live introduced design affordances that encouraged rapid music creation workflows through flashy, 'user-friendly' interfaces. Meanwhile, software such as Avid's Pro Tools attempted to protect its status as the 'industry standard,' 'professional' DAW of choice by incorporating design elements from pre-digital music technologies.
|
650 |
|
0 |
|a Sound
|x Recording and reproducing
|x Digital techniques
|x History
|
650 |
|
0 |
|a Popular music
|x Production and direction
|
650 |
|
0 |
|a Electronica (Music)
|x Production and direction
|
650 |
|
0 |
|a Music
|x Computer programs
|
776 |
1 |
|
|z 9780190943301
|
776 |
1 |
|
|z 9780190943318
|
776 |
0 |
8 |
|i Erscheint auch als
|n Druck-Ausgabe
|a D'Errico, Mike
|t Push
|d New York : Oxford University Press, 2022
|h xii, 322 Seiten
|w (DE-627)1768264198
|z 9780190943318
|z 9780190943301
|
856 |
4 |
0 |
|u http://dx.doi.org/10.1093/oso/9780190943301.001.0001
|m X:OXFORD
|x Resolving-System
|z lizenzpflichtig
|
912 |
|
|
|a ZDB-28-OSM
|b 2021
|
912 |
|
|
|a GBV-28-OUP-SBB
|
912 |
|
|
|a ZDB-28-OSD
|
951 |
|
|
|a BO
|
900 |
|
|
|a Errico, Mike D'
|
951 |
|
|
|b XD-US
|
856 |
4 |
0 |
|u http://dx.doi.org/10.1093/oso/9780190943301.001.0001
|9 DE-14
|
852 |
|
|
|a DE-14
|x epn:4047118176
|z 2022-01-28T15:22:11Z
|
856 |
4 |
0 |
|u http://dx.doi.org/10.1093/oso/9780190943301.001.0001
|y Online-Zugriff
|9 DE-15
|
852 |
|
|
|a DE-15
|x epn:4125831025
|z 2022-04-29T09:13:43Z
|
912 |
|
|
|9 DE-105
|a ZDB-28-OSM
|
972 |
|
|
|k Campuslizenz
|
972 |
|
|
|c EBOOK
|
852 |
|
|
|a DE-105
|x epn:4112460384
|z 2022-04-06T10:33:27Z
|
975 |
|
|
|o E-Book Oxford
|
975 |
|
|
|k Elektronischer Volltext - Campuslizenz
|
856 |
4 |
0 |
|u http://dx.doi.org/10.1093/oso/9780190943301.001.0001
|9 DE-Zwi2
|
852 |
|
|
|a DE-Zwi2
|x epn:4109551919
|z 2022-04-01T09:52:18Z
|
976 |
|
|
|h Elektronischer Volltext. Zugang innerhalb des Campusnetzes. Außerhalb des Campusnetzes ist der Zugang nur für HSZG-Angehörige möglich.
|
856 |
4 |
0 |
|u http://dx.doi.org/10.1093/oso/9780190943301.001.0001
|z Zum Online-Dokument
|9 DE-Zi4
|
852 |
|
|
|a DE-Zi4
|x epn:4112550219
|z 2022-04-06T14:15:44Z
|
856 |
4 |
0 |
|u http://dx.doi.org/10.1093/oso/9780190943301.001.0001
|y HTWK-Zugang
|9 DE-L189
|
852 |
|
|
|a DE-L189
|x epn:4112522525
|z 2022-04-06T12:49:00Z
|
856 |
4 |
0 |
|u http://dx.doi.org/10.1093/oso/9780190943301.001.0001
|9 DE-520
|
852 |
|
|
|a DE-520
|x epn:4112455631
|z 2022-04-06T10:24:57Z
|
856 |
4 |
0 |
|u http://dx.doi.org/10.1093/oso/9780190943301.001.0001
|9 DE-L242
|
852 |
|
|
|a DE-L242
|x epn:4125911282
|z 2022-04-29T09:24:16Z
|
856 |
4 |
0 |
|u http://dx.doi.org/10.1093/oso/9780190943301.001.0001
|z Volltext-Zugang für registrierte Benutzer der Bibliothek
|9 DE-D117
|
852 |
|
|
|a DE-D117
|x epn:4047118184
|z 2023-01-13T13:43:19Z
|
970 |
|
|
|c OD
|x lib:1787467171
|
856 |
4 |
0 |
|u http://dx.doi.org/10.1093/oso/9780190943301.001.0001
|x Login für Zugang außerhalb des Hochschulnetzes
|9 DE-L152
|
852 |
|
|
|a DE-L152
|x epn:4117896504
|z 2022-04-14T13:52:11Z
|
856 |
4 |
0 |
|u http://dx.doi.org/10.1093/oso/9780190943301.001.0001
|9 DE-Ch1
|
852 |
|
|
|a DE-Ch1
|x epn:4461366235
|z 2024-01-18T16:25:19Z
|
912 |
|
|
|9 DE-105
|a ZDB-28-OSD
|
972 |
|
|
|k Campuslizenz
|
972 |
|
|
|c EBOOK
|
852 |
|
|
|a DE-105
|x epn:4461083039
|z 2024-01-18T15:12:27Z
|
856 |
4 |
0 |
|u http://dx.doi.org/10.1093/oso/9780190943301.001.0001
|9 ILN: 736
|
852 |
|
|
|a ILN: 736
|x epn:4534056575
|z 2024-06-03T23:33:38Z
|
852 |
|
|
|a DE-Bn3
|2 finc ba
|
852 |
|
|
|a DE-Brt1
|2 finc ba
|
852 |
|
|
|a DE-D161
|2 finc ba
|
852 |
|
|
|a DE-Gla1
|2 finc ba
|
852 |
|
|
|a DE-L229
|2 finc ba
|
852 |
|
|
|a DE-Rs1
|2 finc ba
|
852 |
|
|
|a DE-Pl11
|2 finc ba
|
852 |
|
|
|a DE-D275
|2 finc ba
|
980 |
|
|
|a 1787467171
|b 0
|k 1787467171
|
SOLR
_version_ |
1818179762746556416 |
author |
D'Errico, Mike |
author_facet |
D'Errico, Mike |
author_role |
aut |
author_sort |
D'Errico, Mike |
author_variant |
m d md |
collection |
ZDB-28-OSM, GBV-28-OUP-SBB, ZDB-28-OSD |
contents |
'Push' shows how changes in the design of music software in the first decades of the 21st century shaped the production techniques and performance practices of artists working across media, from hip-hop and electronic dance music to video games and mobile apps. Emerging alongside developments in digital music distribution such as peer-to-peer file sharing and the MP3 format, digital audio workstations like FL Studio and Ableton Live introduced design affordances that encouraged rapid music creation workflows through flashy, 'user-friendly' interfaces. Meanwhile, software such as Avid's Pro Tools attempted to protect its status as the 'industry standard,' 'professional' DAW of choice by incorporating design elements from pre-digital music technologies. |
ctrlnum |
(DE-627)1787467171, (DE-599)KEP072904216, (OCoLC)1293986447, (UK-OxUP)EDZ0002676858, (EBP)072904216 |
de105_date |
2022-04-06T10:33:27Z |
de15_date |
2022-04-29T09:13:43Z |
dech1_date |
2024-01-18T16:25:19Z |
del152_provenance_txt_mv |
lib:1787467171 |
dewey-full |
781.49 |
dewey-hundreds |
700 - The arts |
dewey-ones |
781 - General principles and musical forms |
dewey-raw |
781.49 |
dewey-search |
781.49 |
dewey-sort |
3781.49 |
dewey-tens |
780 - Music |
doi_str_mv |
10.1093/oso/9780190943301.001.0001 |
facet_912a |
ZDB-28-OSM, GBV-28-OUP-SBB, ZDB-28-OSD |
facet_avail |
Online |
finc_class_facet |
Musikwissenschaft |
footnote |
Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 15, 2021) |
format |
eBook, StillImage |
format_access_txtF_mv |
Book, E-Book |
format_de105 |
Ebook |
format_de14 |
Book, E-Book |
format_de15 |
Book, E-Book |
format_del152 |
Buch |
format_detail_txtF_mv |
text-online-monograph-independent |
format_dezi4 |
e-Book |
format_finc |
Book, E-Book, Visual Media |
format_legacy |
ElectronicBook |
format_legacy_nrw |
Book, E-Book |
format_nrw |
Book, E-Book |
format_one |
Electronic, eBook |
format_strict_txtF_mv |
E-Book |
geogr_code |
not assigned |
geogr_code_person |
USA |
id |
0-1787467171 |
illustrated |
Illustrated |
imprint |
New York, NY, Oxford University Press, 2022 |
imprint_str_mv |
New York, NY: Oxford University Press, 2022 |
institution |
DE-D117, DE-105, ILN: 736, DE-Gla1, DE-Brt1, DE-D275, DE-Ch1, DE-D161, DE-520, DE-L152, DE-15, DE-Pl11, DE-Rs1, DE-Bn3, DE-14, DE-L189, DE-Zi4, DE-L242, DE-Zwi2, DE-L229 |
is_hierarchy_id |
|
is_hierarchy_title |
|
isbn |
9780190943349 |
isbn_isn_mv |
9780190943301, 9780190943318 |
kxp_id_str |
1787467171 |
language |
English |
last_indexed |
2024-12-11T21:08:56.307Z |
local_heading_facet_dezwi2 |
Sound, Popular music, Electronica (Music), Music, Recording and reproducing, Digital techniques, History, Production and direction, Computer programs |
marc024a_ct_mv |
10.1093/oso/9780190943301.001.0001 |
match_str |
derrico2022pushsoftwaredesignandtheculturalpoliticsofmusicproduction |
mega_collection |
Verbunddaten SWB, Oxford E-Books |
misc_de105 |
EBOOK |
misc_del152 |
Buch |
names_id_str_mv |
(DE-588)1046952757, (DE-627)777357860, (DE-576)400272202 |
oclc_num |
1293986447 |
physical |
1 online resource (322 pages); illustrations (black and white) |
publishDate |
2022 |
publishDateSort |
2022 |
publishPlace |
New York, NY |
publisher |
Oxford University Press |
record_format |
marcfinc |
record_id |
1787467171 |
recordtype |
marcfinc |
rvk_facet |
No subject assigned |
series2 |
Oxford scholarship online |
source_id |
0 |
spelling |
D'Errico, Mike VerfasserIn (DE-588)1046952757 (DE-627)777357860 (DE-576)400272202 aut, Push software design and the cultural politics of music production Mike D'Errico, New York, NY Oxford University Press 2022, 1 online resource (322 pages) illustrations (black and white)., Text txt rdacontent, unbewegtes Bild sti rdacontent, Computermedien c rdamedia, Online-Ressource cr rdacarrier, Oxford scholarship online, Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 15, 2021), 'Push' shows how changes in the design of music software in the first decades of the 21st century shaped the production techniques and performance practices of artists working across media, from hip-hop and electronic dance music to video games and mobile apps. Emerging alongside developments in digital music distribution such as peer-to-peer file sharing and the MP3 format, digital audio workstations like FL Studio and Ableton Live introduced design affordances that encouraged rapid music creation workflows through flashy, 'user-friendly' interfaces. Meanwhile, software such as Avid's Pro Tools attempted to protect its status as the 'industry standard,' 'professional' DAW of choice by incorporating design elements from pre-digital music technologies., Sound Recording and reproducing Digital techniques History, Popular music Production and direction, Electronica (Music) Production and direction, Music Computer programs, 9780190943301, 9780190943318, Erscheint auch als Druck-Ausgabe D'Errico, Mike Push New York : Oxford University Press, 2022 xii, 322 Seiten (DE-627)1768264198 9780190943318 9780190943301, http://dx.doi.org/10.1093/oso/9780190943301.001.0001 X:OXFORD Resolving-System lizenzpflichtig, http://dx.doi.org/10.1093/oso/9780190943301.001.0001 DE-14, DE-14 epn:4047118176 2022-01-28T15:22:11Z, http://dx.doi.org/10.1093/oso/9780190943301.001.0001 Online-Zugriff DE-15, DE-15 epn:4125831025 2022-04-29T09:13:43Z, DE-105 epn:4112460384 2022-04-06T10:33:27Z, http://dx.doi.org/10.1093/oso/9780190943301.001.0001 DE-Zwi2, DE-Zwi2 epn:4109551919 2022-04-01T09:52:18Z, http://dx.doi.org/10.1093/oso/9780190943301.001.0001 Zum Online-Dokument DE-Zi4, DE-Zi4 epn:4112550219 2022-04-06T14:15:44Z, http://dx.doi.org/10.1093/oso/9780190943301.001.0001 HTWK-Zugang DE-L189, DE-L189 epn:4112522525 2022-04-06T12:49:00Z, http://dx.doi.org/10.1093/oso/9780190943301.001.0001 DE-520, DE-520 epn:4112455631 2022-04-06T10:24:57Z, http://dx.doi.org/10.1093/oso/9780190943301.001.0001 DE-L242, DE-L242 epn:4125911282 2022-04-29T09:24:16Z, http://dx.doi.org/10.1093/oso/9780190943301.001.0001 Volltext-Zugang für registrierte Benutzer der Bibliothek DE-D117, DE-D117 epn:4047118184 2023-01-13T13:43:19Z, http://dx.doi.org/10.1093/oso/9780190943301.001.0001 Login für Zugang außerhalb des Hochschulnetzes DE-L152, DE-L152 epn:4117896504 2022-04-14T13:52:11Z, http://dx.doi.org/10.1093/oso/9780190943301.001.0001 DE-Ch1, DE-Ch1 epn:4461366235 2024-01-18T16:25:19Z, DE-105 epn:4461083039 2024-01-18T15:12:27Z, http://dx.doi.org/10.1093/oso/9780190943301.001.0001 ILN: 736, ILN: 736 epn:4534056575 2024-06-03T23:33:38Z, DE-Bn3 finc ba, DE-Brt1 finc ba, DE-D161 finc ba, DE-Gla1 finc ba, DE-L229 finc ba, DE-Rs1 finc ba, DE-Pl11 finc ba, DE-D275 finc ba |
spellingShingle |
D'Errico, Mike, Push: software design and the cultural politics of music production, 'Push' shows how changes in the design of music software in the first decades of the 21st century shaped the production techniques and performance practices of artists working across media, from hip-hop and electronic dance music to video games and mobile apps. Emerging alongside developments in digital music distribution such as peer-to-peer file sharing and the MP3 format, digital audio workstations like FL Studio and Ableton Live introduced design affordances that encouraged rapid music creation workflows through flashy, 'user-friendly' interfaces. Meanwhile, software such as Avid's Pro Tools attempted to protect its status as the 'industry standard,' 'professional' DAW of choice by incorporating design elements from pre-digital music technologies., Sound Recording and reproducing Digital techniques History, Popular music Production and direction, Electronica (Music) Production and direction, Music Computer programs |
title |
Push: software design and the cultural politics of music production |
title_auth |
Push software design and the cultural politics of music production |
title_full |
Push software design and the cultural politics of music production Mike D'Errico |
title_fullStr |
Push software design and the cultural politics of music production Mike D'Errico |
title_full_unstemmed |
Push software design and the cultural politics of music production Mike D'Errico |
title_short |
Push |
title_sort |
push software design and the cultural politics of music production |
title_sub |
software design and the cultural politics of music production |
title_unstemmed |
Push: software design and the cultural politics of music production |
topic |
Sound Recording and reproducing Digital techniques History, Popular music Production and direction, Electronica (Music) Production and direction, Music Computer programs |
topic_facet |
Sound, Popular music, Electronica (Music), Music, Recording and reproducing, Digital techniques, History, Production and direction, Computer programs |
url |
http://dx.doi.org/10.1093/oso/9780190943301.001.0001 |
work_keys_str_mv |
AT derricomike pushsoftwaredesignandtheculturalpoliticsofmusicproduction |