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|a Colonization in reverse : an introduction -- "In the big city the sex life gone wild" : migration, gender, and identity in Sam Selvon's The lonely Londoners -- Black power in a transnational frame : radical populism and the Caribbean Artists Movement -- Behind the mask : carnival politics and British identity in Linton Kwesi Johnson's dub poetry -- Beyond imperial feminism : Buchi Emecheta's London novels and Black British women's emancipation -- Heritage politics of the soul : immigration and identity in Salman Rushdie's The satanic verses -- Genetics, biotechnology, and the future of "race" in Zadie Smith's White teeth -- Conclusion : "Step back from the blow back" : Asian hip-hop and post-9/11 Britain.
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|a Mongrel Nation surveys the history of the United Kingdom's African, Asian, and Caribbean populations from 1948 to the present, working at the juncture of cultural studies, literary criticism, and postcolonial theory. Ashley Dawson argues that during the past fifty years Asian and black intellectuals from Sam Selvon to Zadie Smith have continually challenged the United Kingdom's exclusionary definitions of citizenship, using innovative forms of cultural expression to reconfigure definitions of belonging in the postcolonial age. By examining popular culture and exploring topics such as the nexus of race and gender, the growth of transnational politics, and the clash between first- and second-generation immigrants, Dawson broadens and enlivens the field of postcolonial studies
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Colonization in reverse : an introduction -- "In the big city the sex life gone wild" : migration, gender, and identity in Sam Selvon's The lonely Londoners -- Black power in a transnational frame : radical populism and the Caribbean Artists Movement -- Behind the mask : carnival politics and British identity in Linton Kwesi Johnson's dub poetry -- Beyond imperial feminism : Buchi Emecheta's London novels and Black British women's emancipation -- Heritage politics of the soul : immigration and identity in Salman Rushdie's The satanic verses -- Genetics, biotechnology, and the future of "race" in Zadie Smith's White teeth -- Conclusion : "Step back from the blow back" : Asian hip-hop and post-9/11 Britain., Mongrel Nation surveys the history of the United Kingdom's African, Asian, and Caribbean populations from 1948 to the present, working at the juncture of cultural studies, literary criticism, and postcolonial theory. Ashley Dawson argues that during the past fifty years Asian and black intellectuals from Sam Selvon to Zadie Smith have continually challenged the United Kingdom's exclusionary definitions of citizenship, using innovative forms of cultural expression to reconfigure definitions of belonging in the postcolonial age. By examining popular culture and exploring topics such as the nexus of race and gender, the growth of transnational politics, and the clash between first- and second-generation immigrants, Dawson broadens and enlivens the field of postcolonial studies |
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Dawson, Ashley 1965- VerfasserIn aut, Mongrel nation diasporic culture and the making of postcolonial Britain Ashley Dawson, Ann Arbor University of Michigan Press ©2007, 1 Online-Ressource (viii, 226 pages), Text txt rdacontent, Computermedien c rdamedia, Online-Ressource cr rdacarrier, Includes bibliographical references (pages 189-219) and index, Use copy Restrictions unspecified star MiAaHDL, Colonization in reverse : an introduction -- "In the big city the sex life gone wild" : migration, gender, and identity in Sam Selvon's The lonely Londoners -- Black power in a transnational frame : radical populism and the Caribbean Artists Movement -- Behind the mask : carnival politics and British identity in Linton Kwesi Johnson's dub poetry -- Beyond imperial feminism : Buchi Emecheta's London novels and Black British women's emancipation -- Heritage politics of the soul : immigration and identity in Salman Rushdie's The satanic verses -- Genetics, biotechnology, and the future of "race" in Zadie Smith's White teeth -- Conclusion : "Step back from the blow back" : Asian hip-hop and post-9/11 Britain., Mongrel Nation surveys the history of the United Kingdom's African, Asian, and Caribbean populations from 1948 to the present, working at the juncture of cultural studies, literary criticism, and postcolonial theory. Ashley Dawson argues that during the past fifty years Asian and black intellectuals from Sam Selvon to Zadie Smith have continually challenged the United Kingdom's exclusionary definitions of citizenship, using innovative forms of cultural expression to reconfigure definitions of belonging in the postcolonial age. By examining popular culture and exploring topics such as the nexus of race and gender, the growth of transnational politics, and the clash between first- and second-generation immigrants, Dawson broadens and enlivens the field of postcolonial studies, Electronic reproduction, [Place of publication not identified] HathiTrust Digital Library 2010 Electronic reproduction |2010||||||||||, Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002., English, English literature 20th century History and criticism, Commonwealth literature (English) History and criticism, Postcolonialism in literature, Immigrants in literature, Minorities in literature, Literature and society Great Britain History 20th century, Postcolonialism Great Britain, Cultural pluralism Great Britain, Ethnic groups Great Britain History 20th century, English literature Minority authors History and criticism, LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh, LITERARY CRITICISM ; General, Commonwealth literature (English), Cultural pluralism, English literature, English literature ; Minority authors, Ethnic groups, Literature and society, Postcolonialism, LITERARY CRITICISM, European / English, Irish, Scottish, Welsh, English Literature, Languages & Literatures, Great Britain, Criticism, interpretation, etc, History, Electronic book, 9780472069910, Erscheint auch als Druck-Ausgabe Dawson, Ashley, 1965- Mongrel nation Ann Arbor : University of Michigan Press, ©2007 (DLC)2006036421, https://www.jstor.org/stable/10.2307/j.ctv3znzng X:JSTOR Verlag kostenfrei, http://purl.oclc.org/DLF/benchrepro0212, https://www.jstor.org/stable/10.2307/j.ctv3znzng LFER, LFER 2020-02-03T00:00:00Z, https://www.jstor.org/stable/10.2307/j.ctv3znzng DE-D117, DE-D117 2020-01-10T14:55:26Z, DE-L189 2020-02-07T13:55:09Z, https://www.jstor.org/stable/10.2307/j.ctv3znzng DE-540, DE-540 2020-01-10T14:55:26Z |
| spellingShingle |
Dawson, Ashley, Mongrel nation: diasporic culture and the making of postcolonial Britain, Colonization in reverse : an introduction -- "In the big city the sex life gone wild" : migration, gender, and identity in Sam Selvon's The lonely Londoners -- Black power in a transnational frame : radical populism and the Caribbean Artists Movement -- Behind the mask : carnival politics and British identity in Linton Kwesi Johnson's dub poetry -- Beyond imperial feminism : Buchi Emecheta's London novels and Black British women's emancipation -- Heritage politics of the soul : immigration and identity in Salman Rushdie's The satanic verses -- Genetics, biotechnology, and the future of "race" in Zadie Smith's White teeth -- Conclusion : "Step back from the blow back" : Asian hip-hop and post-9/11 Britain., Mongrel Nation surveys the history of the United Kingdom's African, Asian, and Caribbean populations from 1948 to the present, working at the juncture of cultural studies, literary criticism, and postcolonial theory. Ashley Dawson argues that during the past fifty years Asian and black intellectuals from Sam Selvon to Zadie Smith have continually challenged the United Kingdom's exclusionary definitions of citizenship, using innovative forms of cultural expression to reconfigure definitions of belonging in the postcolonial age. By examining popular culture and exploring topics such as the nexus of race and gender, the growth of transnational politics, and the clash between first- and second-generation immigrants, Dawson broadens and enlivens the field of postcolonial studies, English literature 20th century History and criticism, Commonwealth literature (English) History and criticism, Postcolonialism in literature, Immigrants in literature, Minorities in literature, Literature and society Great Britain History 20th century, Postcolonialism Great Britain, Cultural pluralism Great Britain, Ethnic groups Great Britain History 20th century, English literature Minority authors History and criticism, LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh, LITERARY CRITICISM ; General, Commonwealth literature (English), Cultural pluralism, English literature, English literature ; Minority authors, Ethnic groups, Literature and society, Postcolonialism, LITERARY CRITICISM, European / English, Irish, Scottish, Welsh, English, English Literature, Languages & Literatures, Great Britain, Criticism, interpretation, etc, History, Electronic book |
| title |
Mongrel nation: diasporic culture and the making of postcolonial Britain |
| title_auth |
Mongrel nation diasporic culture and the making of postcolonial Britain |
| title_full |
Mongrel nation diasporic culture and the making of postcolonial Britain Ashley Dawson |
| title_fullStr |
Mongrel nation diasporic culture and the making of postcolonial Britain Ashley Dawson |
| title_full_unstemmed |
Mongrel nation diasporic culture and the making of postcolonial Britain Ashley Dawson |
| title_short |
Mongrel nation |
| title_sort |
mongrel nation diasporic culture and the making of postcolonial britain |
| title_sub |
diasporic culture and the making of postcolonial Britain |
| topic |
English literature 20th century History and criticism, Commonwealth literature (English) History and criticism, Postcolonialism in literature, Immigrants in literature, Minorities in literature, Literature and society Great Britain History 20th century, Postcolonialism Great Britain, Cultural pluralism Great Britain, Ethnic groups Great Britain History 20th century, English literature Minority authors History and criticism, LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh, LITERARY CRITICISM ; General, Commonwealth literature (English), Cultural pluralism, English literature, English literature ; Minority authors, Ethnic groups, Literature and society, Postcolonialism, LITERARY CRITICISM, European / English, Irish, Scottish, Welsh, English, English Literature, Languages & Literatures, Great Britain, Criticism, interpretation, etc, History, Electronic book |
| topic_facet |
English literature, Commonwealth literature (English), Postcolonialism in literature, Immigrants in literature, Minorities in literature, Literature and society, Postcolonialism, Cultural pluralism, Ethnic groups, LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh, LITERARY CRITICISM ; General, English literature ; Minority authors, LITERARY CRITICISM, European / English, Irish, Scottish, Welsh, English, English Literature, Languages & Literatures, Great Britain, Criticism, interpretation, etc, History, History and criticism, Minority authors, Electronic book |
| url |
https://www.jstor.org/stable/10.2307/j.ctv3znzng, http://purl.oclc.org/DLF/benchrepro0212 |
