Eintrag weiter verarbeiten

Bossa mundo: Brazilian music in transnational media industries

Personen und Körperschaften: Goldschmitt, K. E. (Verfasser*in)
Titel: Bossa mundo: Brazilian music in transnational media industries/ K.E. Goldschmitt.
Sprache: English
veröffentlicht:
New York, NY Oxford University Press 2019
Gesamtaufnahme: Currents in Latin American & Iberian music
Oxford scholarship online
Beschreibung: 1 online resource; illustrations (black and white) ; Also issued in print: 2019. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 17, 2019)
ISBN: 9780190923563
DOI: 10.1093/oso/9780190923525.001.0001
LEADER 09877cam a2202377 4500
001 0-1681426358
003 DE-627
005 20240111105138.0
007 cr uuu---uuuuu
008 191107s2019 xx |||||o 00| ||eng c
020 |a 9780190923563  |c ebook  |9 978-0-19-092356-3 
024 7 |a 10.1093/oso/9780190923525.001.0001  |2 doi 
035 |a (DE-627)1681426358 
035 |a (DE-599)KEP047953500 
035 |a (OCoLC)1126556458 
035 |a (UK-OxUP)EDZ0002113641 
035 |a (EBP)047953500 
040 |a DE-627  |b ger  |c DE-627  |e rda 
041 |a eng 
082 0 |a 781.640981  |2 23 
084 |a LQ 90600  |2 rvk  |0 (DE-625)rvk/109163:13528 
100 1 |a Goldschmitt, K. E.  |e VerfasserIn  |0 (DE-588)1198228091  |0 (DE-627)1680547402  |4 aut 
245 1 0 |a Bossa mundo  |b Brazilian music in transnational media industries  |c K.E. Goldschmitt. 
264 1 |a New York, NY  |b Oxford University Press  |c 2019 
300 |a 1 online resource  |b illustrations (black and white). 
336 |a Text  |b txt  |2 rdacontent 
336 |a unbewegtes Bild  |b sti  |2 rdacontent 
337 |a Computermedien  |b c  |2 rdamedia 
338 |a Online-Ressource  |b cr  |2 rdacarrier 
490 0 |a Currents in Latin American & Iberian music 
490 0 |a Oxford scholarship online 
500 |a Also issued in print: 2019. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 17, 2019) 
520 |a 'Bossa Mundo' chronicles how Brazilian music has been central to Brazil's national brand in the United States and the United Kingdom since the late 1950s. Scholarly texts on Brazilian popular music generally focus on questions of music and national identity, and when they discuss the music's international popularity, they keep the artists, recordings, and live performances as the focus, ignoring the process of transnational mediation. This text fills a major gap in Brazilian music studies by analyzing the consequences of moments when Brazilian music was popular in Anglophone markets, with a focus on the media industries. 
650 0 |a Popular music  |x History and criticism  |z Brazil 
650 0 |a Bossa nova (Music)  |x History and criticism 
650 0 |a Popular music  |x Appreciation  |z Brazil  |z United States 
650 0 |a Popular music  |x Appreciation  |z Brazil  |z Great Britain 
650 0 |a Music and transnationalism 
650 4 |a Popular music ; Brazil ; History and criticism 
650 4 |a Bossa nova (Music) ; History and criticism 
650 4 |a Popular music ; Brazil ; Appreciation ; United States 
650 4 |a Popular music ; Brazil ; Appreciation ; Great Britain 
650 4 |a Music and transnationalism 
689 0 0 |d g  |0 (DE-588)4078704-7  |0 (DE-627)106076612  |0 (DE-576)209209682  |a USA  |2 gnd 
689 0 1 |d g  |0 (DE-588)4022153-2  |0 (DE-627)104665513  |0 (DE-576)208942076  |a Großbritannien  |2 gnd 
689 0 2 |d g  |0 (DE-588)4008003-1  |0 (DE-627)106370383  |0 (DE-576)208873732  |a Brasilien  |2 gnd 
689 0 3 |d s  |0 (DE-588)4061916-3  |0 (DE-627)106133985  |0 (DE-576)209141859  |a Unterhaltungsmusik  |2 gnd 
689 0 4 |d s  |0 (DE-588)4271893-4  |0 (DE-627)104496576  |0 (DE-576)210685336  |a Bossa nova  |2 gnd 
689 0 5 |d s  |0 (DE-588)4049716-1  |0 (DE-627)104675152  |0 (DE-576)209083182  |a Rezeption  |2 gnd 
689 0 6 |d s  |0 (DE-588)4151276-5  |0 (DE-627)104636610  |0 (DE-576)209786868  |a Einfluss  |2 gnd 
689 0 7 |a z  |2 gnd  |a Geschichte 1950-2019 
689 0 |5 (DE-627) 
776 1 |z 9780190923525 
776 0 8 |i Erscheint auch als  |n Druck-Ausgabe  |a Goldschmitt, K. E.  |t Bossa mundo  |d New York, NY : Oxford University Press, 2019  |h pages cm  |w (DE-627)1664306846  |z 9780190923525  |z 9780190923532 
856 4 0 |u https://dx.doi.org/10.1093/oso/9780190923525.001.0001  |m X:OXFORD  |x Resolving-System  |z lizenzpflichtig 
912 |a GBV-28-OUP-SBB 
912 |a ZDB-28-OSM  |b 1963-2019 
912 |a ZDB-28-OSM  |b 2019 
912 |a ZDB-28-OSD 
936 r v |a LQ 90600  |b allgemein  |k Musikwissenschaft  |k I. Musica theoretica  |k Geographischer Teil: Musica theoretica  |k Brasilien  |k Brasilien  |k allgemein  |0 (DE-627)1441186220  |0 (DE-625)rvk/109163:13528  |0 (DE-576)371186226 
951 |a BO 
950 |a Bossanova 
950 |a Samba 
950 |a Latin jazz 
950 |a Samba-Jazz 
950 |a Sozialer Einfluss 
950 |a Gesellschaftlicher Einfluss 
950 |a Macht 
950 |a 作用 
950 |a 影响 
950 |a 影響 
950 |a Влияние 
950 |a Vereinigtes Königreich von Großbritannien und Nordirland 
950 |a Großbritannien und Nordirland 
950 |a England 
950 |a UK 
950 |a Angleterre 
950 |a Brīṭāniyā al-ʿUẓmā 
950 |a Brīṭāniya 'l-ʿUẓmā 
950 |a Vereinigtes Königreich Großbritannien und Nordirland 
950 |a United Kingdom 
950 |a United Kingdom of Great Britain and Northern Ireland 
950 |a Great Britain 
950 |a Grande Bretagne 
950 |a British Isles 
950 |a United Kingdom of Great Britain and Ireland 
950 |a Royaume-Uni 
950 |a Gran Bretagna 
950 |a U.K. 
950 |a GB 
950 |a Grande-Bretagne 
950 |a Grossbritannien 
950 |a British Empire 
950 |a Britisches Reich 
950 |a Commonwealth 
950 |a Briten 
950 |a بريطانيا العظمى 
950 |a Fortwirken 
950 |a Nachwirkung 
950 |a Nachleben 
950 |a Wirkungsgeschichte 
950 |a Aneignung 
950 |a Auswirkung 
950 |a Fortleben 
950 |a 接收 
950 |a 接受 
950 |a Восприятие 
950 |a United States of America 
950 |a Vereinigte Staaten von Amerika 
950 |a Nordamerika 
950 |a Amerika 
950 |a United States 
950 |a Etats Unis 
950 |a Etats-Unis 
950 |a Vereinigte Staaten 
950 |a Estados Unidos de America 
950 |a EEUU 
950 |a Vereinigte Staaten von Nordamerika 
950 |a Soedinennye Štaty Ameriki 
950 |a SŠA 
950 |a Stany Zjednoczone Ameryki Północnej 
950 |a Hēnōmenai Politeiai tēs Boreiu Amerikēs 
950 |a Hēnōmenes Politeies tēs Amerikēs 
950 |a HēPA 
950 |a Ēnōmenes Politeies tēs Amerikēs 
950 |a ĒPA 
950 |a Meiguo 
950 |a Etats-Unis d'Amérique 
950 |a US 
950 |a Amerikaner 
950 |a Populärmusik 
950 |a U-Musik 
950 |a Leichte Musik 
950 |a Populäre Musik 
950 |a Popularmusik 
950 |a Musik 
950 |a Trivialmusik 
950 |a 轻音乐 
950 |a 娱乐音乐 
950 |a 消遣音乐 
950 |a 輕音樂 
950 |a 娛樂音樂 
950 |a 消遣音樂 
950 |a Развлекательная музыка 
950 |a Brasil 
950 |a Brazil 
950 |a Imperio do Brazil 
950 |a République Fédérative du Brésil 
950 |a Federative Republic of Brazil 
950 |a República dos Estados Unidos do Brasil 
950 |a Estados Unidos do Brasil 
950 |a República Federal do Brasil 
950 |a Föderative Republik Brasilien 
950 |a República Federativa do Brasil 
950 |a Brésil 
950 |a Imperio do Brasil 
950 |a République des Etats-Unis du Brésil 
950 |a Brazilia 
950 |a Vereinigtes Königreich von Portugal, Brasilien und den Algarven 
950 |a Brasilianer 
951 |a XA-GB 
951 |a XD-US 
951 |a XD-BR 
951 |b XD-US 
856 4 0 |u https://dx.doi.org/10.1093/oso/9780190923525.001.0001  |9 ILN: 736 
852 |a ILN: 736  |x epn:3538591121  |z 2021-04-07T00:33:37Z 
856 4 0 |u https://dx.doi.org/10.1093/oso/9780190923525.001.0001  |9 DE-14 
852 |a DE-14  |x epn:3538390827  |z 2019-11-07T14:24:36Z 
856 4 0 |u https://dx.doi.org/10.1093/oso/9780190923525.001.0001  |9 DE-15 
852 |a DE-15  |x epn:3538591008  |z 2019-11-08T12:02:50Z 
856 4 0 |u https://dx.doi.org/10.1093/oso/9780190923525.001.0001  |9 DE-Ch1 
852 |a DE-Ch1  |x epn:3538591016  |z 2019-11-08T12:02:50Z 
912 |9 DE-105  |a ZDB-28-OSM 
972 |k Campuslizenz 
972 |c EBOOK 
852 |a DE-105  |x epn:3538590354  |z 2019-12-03T13:36:53Z 
975 |o E-Book Oxford 
975 |k Elektronischer Volltext - Campuslizenz 
856 4 0 |u https://dx.doi.org/10.1093/oso/9780190923525.001.0001  |9 DE-Zwi2 
852 |a DE-Zwi2  |x epn:3538591032  |z 2019-11-08T12:02:51Z 
976 |h Elektronischer Volltext - Campuslizenz 
856 4 0 |u https://dx.doi.org/10.1093/oso/9780190923525.001.0001  |z Zum Online-Dokument  |9 DE-Zi4 
852 |a DE-Zi4  |x epn:3538591040  |z 2019-11-08T12:02:51Z 
856 4 0 |u https://dx.doi.org/10.1093/oso/9780190923525.001.0001  |y HTWK-Zugang  |9 DE-L189 
852 |a DE-L189  |x epn:3538591059  |z 2019-11-08T12:02:51Z 
856 4 0 |u https://dx.doi.org/10.1093/oso/9780190923525.001.0001  |9 DE-520 
852 |a DE-520  |x epn:3538591067  |z 2019-11-08T12:02:51Z 
856 4 0 |u https://dx.doi.org/10.1093/oso/9780190923525.001.0001  |9 DE-540 
852 |a DE-540  |x epn:3538591075  |z 2019-11-08T12:02:51Z 
856 4 0 |u https://dx.doi.org/10.1093/oso/9780190923525.001.0001  |9 DE-L242 
852 |a DE-L242  |x epn:3538591083  |z 2019-11-08T12:02:51Z 
856 4 0 |u https://dx.doi.org/10.1093/oso/9780190923525.001.0001  |z Volltext-Zugang für registrierte Benutzer der Bibliothek  |9 DE-D117 
852 |a DE-D117  |x epn:3538591156  |z 2023-01-13T13:38:24Z 
970 |c OD  |x lib:1681426358 
856 4 0 |u https://dx.doi.org/10.1093/oso/9780190923525.001.0001  |x Login für Zugang außerhalb des Hochschulnetzes  |9 DE-L152 
852 |a DE-L152  |x epn:3538591172  |z 2021-06-03T17:31:02Z 
912 |9 DE-105  |a ZDB-28-OSD 
972 |k Campuslizenz 
972 |c EBOOK 
852 |a DE-105  |x epn:446112455X  |z 2024-01-18T15:22:01Z 
980 |a 1681426358  |b 0  |k 1681426358 
openURL url_ver=Z39.88-2004&ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fvufind.svn.sourceforge.net%3Agenerator&rft.title=Bossa+mundo%3A+Brazilian+music+in+transnational+media+industries&rft.date=2019&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Bossa+mundo%3A+Brazilian+music+in+transnational+media+industries&rft.series=Currents+in+Latin+American+%26+Iberian+music&rft.au=Goldschmitt%2C+K.+E.&rft.pub=Oxford+University+Press&rft.edition=&rft.isbn=0190923563
SOLR
_version_ 1793491635110150144
author Goldschmitt, K. E.
author_facet Goldschmitt, K. E.
author_role aut
author_sort Goldschmitt, K. E.
author_variant k e g ke keg
collection GBV-28-OUP-SBB, ZDB-28-OSM, ZDB-28-OSD
contents 'Bossa Mundo' chronicles how Brazilian music has been central to Brazil's national brand in the United States and the United Kingdom since the late 1950s. Scholarly texts on Brazilian popular music generally focus on questions of music and national identity, and when they discuss the music's international popularity, they keep the artists, recordings, and live performances as the focus, ignoring the process of transnational mediation. This text fills a major gap in Brazilian music studies by analyzing the consequences of moments when Brazilian music was popular in Anglophone markets, with a focus on the media industries.
ctrlnum (DE-627)1681426358, (DE-599)KEP047953500, (OCoLC)1126556458, (UK-OxUP)EDZ0002113641, (EBP)047953500
de105_date 2019-12-03T13:36:53Z
de15_date 2019-11-08T12:02:50Z
dech1_date 2019-11-08T12:02:50Z
del152_provenance_txt_mv lib:1681426358
dewey-full 781.640981
dewey-hundreds 700 - The arts
dewey-ones 781 - General principles and musical forms
dewey-raw 781.640981
dewey-search 781.640981
dewey-sort 3781.640981
dewey-tens 780 - Music
doi_str_mv 10.1093/oso/9780190923525.001.0001
facet_912a GBV-28-OUP-SBB, ZDB-28-OSM, ZDB-28-OSD
facet_avail Online
facet_local_del330 USA, Großbritannien, Brasilien, Unterhaltungsmusik, Bossa nova, Rezeption, Einfluss, z, Geschichte 1950-2019
finc_class_facet Musikwissenschaft
fincclass_txtF_mv music
footnote Also issued in print: 2019. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 17, 2019)
format eBook, StillImage
format_access_txtF_mv Book, E-Book
format_de105 Ebook
format_de14 Book, E-Book
format_de15 Book, E-Book
format_del152 Buch
format_detail_txtF_mv text-online-monograph-independent
format_dezi4 e-Book
format_finc Book, E-Book, Visual Media
format_legacy ElectronicBook
format_legacy_nrw Book, E-Book
format_nrw Book, E-Book
format_strict_txtF_mv E-Book
geogr_code not assigned
geogr_code_person USA
geographic_facet Brazil, United States, Great Britain
id 0-1681426358
illustrated Not Illustrated
imprint New York, NY, Oxford University Press, 2019
imprint_str_mv New York, NY: Oxford University Press, 2019
institution DE-D117, DE-105, ILN: 736, DE-Ch1, DE-520, DE-L152, DE-15, DE-540, DE-14, DE-L189, DE-Zi4, DE-L242, DE-Zwi2
is_hierarchy_id
is_hierarchy_title
isbn 9780190923563
isbn_isn_mv 9780190923525, 9780190923532
kxp_id_str 1681426358
language English
last_indexed 2024-03-14T09:01:47.495Z
local_heading_facet_dezwi2 Popular music, Bossa nova (Music), Music and transnationalism, Popular music ; Brazil ; History and criticism, Bossa nova (Music) ; History and criticism, Popular music ; Brazil ; Appreciation ; United States, Popular music ; Brazil ; Appreciation ; Great Britain, History and criticism, Appreciation, USA, Großbritannien, Brasilien, Unterhaltungsmusik, Bossa nova, Rezeption, Einfluss, z, Geschichte 1950-2019
marc024a_ct_mv 10.1093/oso/9780190923525.001.0001
marc_error [geogr_code]Unable to make public java.lang.AbstractStringBuilder java.lang.AbstractStringBuilder.append(java.lang.String) accessible: module java.base does not "opens java.lang" to unnamed module @24b72de9, Minor Error : Subfield tag is an invalid uppercase character, changing it to lower case. --- [ 689 : D ], Minor Error : Subfield tag is an invalid uppercase character, changing it to lower case. --- [ 689 : D ], Minor Error : Subfield tag is an invalid uppercase character, changing it to lower case. --- [ 689 : D ], Minor Error : Subfield tag is an invalid uppercase character, changing it to lower case. --- [ 689 : D ], Minor Error : Subfield tag is an invalid uppercase character, changing it to lower case. --- [ 689 : D ], Minor Error : Subfield tag is an invalid uppercase character, changing it to lower case. --- [ 689 : D ], Minor Error : Subfield tag is an invalid uppercase character, changing it to lower case. --- [ 689 : D ], Minor Error : Subfield tag is an invalid uppercase character, changing it to lower case. --- [ 689 : A ]
match_str goldschmitt2019bossamundobrazilianmusicintransnationalmediaindustries
mega_collection Verbunddaten SWB, Oxford E-Books
misc_de105 EBOOK
names_id_str_mv (DE-588)1198228091, (DE-627)1680547402
oclc_num 1126556458
physical 1 online resource; illustrations (black and white)
publishDate 2019
publishDateSort 2019
publishPlace New York, NY
publisher Oxford University Press
record_format marcfinc
record_id 1681426358
recordtype marcfinc
rvk_facet LQ 90600
rvk_label Musikwissenschaft, I. Musica theoretica, Geographischer Teil: Musica theoretica, Brasilien, allgemein
rvk_path LQ 90600, LQ, LQ 90600 - LQ 90708, LD,LP - LY, LP 10000 - LS 49950, LQ 90600 - LQ 90608
rvk_path_str_mv LQ 90600, LQ, LQ 90600 - LQ 90708, LD,LP - LY, LP 10000 - LS 49950, LQ 90600 - LQ 90608
series2 Currents in Latin American & Iberian music, Oxford scholarship online
source_id 0
spelling Goldschmitt, K. E. VerfasserIn (DE-588)1198228091 (DE-627)1680547402 aut, Bossa mundo Brazilian music in transnational media industries K.E. Goldschmitt., New York, NY Oxford University Press 2019, 1 online resource illustrations (black and white)., Text txt rdacontent, unbewegtes Bild sti rdacontent, Computermedien c rdamedia, Online-Ressource cr rdacarrier, Currents in Latin American & Iberian music, Oxford scholarship online, Also issued in print: 2019. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 17, 2019), 'Bossa Mundo' chronicles how Brazilian music has been central to Brazil's national brand in the United States and the United Kingdom since the late 1950s. Scholarly texts on Brazilian popular music generally focus on questions of music and national identity, and when they discuss the music's international popularity, they keep the artists, recordings, and live performances as the focus, ignoring the process of transnational mediation. This text fills a major gap in Brazilian music studies by analyzing the consequences of moments when Brazilian music was popular in Anglophone markets, with a focus on the media industries., Popular music History and criticism Brazil, Bossa nova (Music) History and criticism, Popular music Appreciation Brazil United States, Popular music Appreciation Brazil Great Britain, Music and transnationalism, Popular music ; Brazil ; History and criticism, Bossa nova (Music) ; History and criticism, Popular music ; Brazil ; Appreciation ; United States, Popular music ; Brazil ; Appreciation ; Great Britain, g (DE-588)4078704-7 (DE-627)106076612 (DE-576)209209682 USA gnd, g (DE-588)4022153-2 (DE-627)104665513 (DE-576)208942076 Großbritannien gnd, g (DE-588)4008003-1 (DE-627)106370383 (DE-576)208873732 Brasilien gnd, s (DE-588)4061916-3 (DE-627)106133985 (DE-576)209141859 Unterhaltungsmusik gnd, s (DE-588)4271893-4 (DE-627)104496576 (DE-576)210685336 Bossa nova gnd, s (DE-588)4049716-1 (DE-627)104675152 (DE-576)209083182 Rezeption gnd, s (DE-588)4151276-5 (DE-627)104636610 (DE-576)209786868 Einfluss gnd, z gnd Geschichte 1950-2019, (DE-627), 9780190923525, Erscheint auch als Druck-Ausgabe Goldschmitt, K. E. Bossa mundo New York, NY : Oxford University Press, 2019 pages cm (DE-627)1664306846 9780190923525 9780190923532, https://dx.doi.org/10.1093/oso/9780190923525.001.0001 X:OXFORD Resolving-System lizenzpflichtig, https://dx.doi.org/10.1093/oso/9780190923525.001.0001 ILN: 736, ILN: 736 epn:3538591121 2021-04-07T00:33:37Z, https://dx.doi.org/10.1093/oso/9780190923525.001.0001 DE-14, DE-14 epn:3538390827 2019-11-07T14:24:36Z, https://dx.doi.org/10.1093/oso/9780190923525.001.0001 DE-15, DE-15 epn:3538591008 2019-11-08T12:02:50Z, https://dx.doi.org/10.1093/oso/9780190923525.001.0001 DE-Ch1, DE-Ch1 epn:3538591016 2019-11-08T12:02:50Z, DE-105 epn:3538590354 2019-12-03T13:36:53Z, https://dx.doi.org/10.1093/oso/9780190923525.001.0001 DE-Zwi2, DE-Zwi2 epn:3538591032 2019-11-08T12:02:51Z, https://dx.doi.org/10.1093/oso/9780190923525.001.0001 Zum Online-Dokument DE-Zi4, DE-Zi4 epn:3538591040 2019-11-08T12:02:51Z, https://dx.doi.org/10.1093/oso/9780190923525.001.0001 HTWK-Zugang DE-L189, DE-L189 epn:3538591059 2019-11-08T12:02:51Z, https://dx.doi.org/10.1093/oso/9780190923525.001.0001 DE-520, DE-520 epn:3538591067 2019-11-08T12:02:51Z, https://dx.doi.org/10.1093/oso/9780190923525.001.0001 DE-540, DE-540 epn:3538591075 2019-11-08T12:02:51Z, https://dx.doi.org/10.1093/oso/9780190923525.001.0001 DE-L242, DE-L242 epn:3538591083 2019-11-08T12:02:51Z, https://dx.doi.org/10.1093/oso/9780190923525.001.0001 Volltext-Zugang für registrierte Benutzer der Bibliothek DE-D117, DE-D117 epn:3538591156 2023-01-13T13:38:24Z, https://dx.doi.org/10.1093/oso/9780190923525.001.0001 Login für Zugang außerhalb des Hochschulnetzes DE-L152, DE-L152 epn:3538591172 2021-06-03T17:31:02Z, DE-105 epn:446112455X 2024-01-18T15:22:01Z
spellingShingle Goldschmitt, K. E., Bossa mundo: Brazilian music in transnational media industries, 'Bossa Mundo' chronicles how Brazilian music has been central to Brazil's national brand in the United States and the United Kingdom since the late 1950s. Scholarly texts on Brazilian popular music generally focus on questions of music and national identity, and when they discuss the music's international popularity, they keep the artists, recordings, and live performances as the focus, ignoring the process of transnational mediation. This text fills a major gap in Brazilian music studies by analyzing the consequences of moments when Brazilian music was popular in Anglophone markets, with a focus on the media industries., Popular music History and criticism Brazil, Bossa nova (Music) History and criticism, Popular music Appreciation Brazil United States, Popular music Appreciation Brazil Great Britain, Music and transnationalism, Popular music ; Brazil ; History and criticism, Bossa nova (Music) ; History and criticism, Popular music ; Brazil ; Appreciation ; United States, Popular music ; Brazil ; Appreciation ; Great Britain, USA, Großbritannien, Brasilien, Unterhaltungsmusik, Bossa nova, Rezeption, Einfluss, z Geschichte 1950-2019
title Bossa mundo: Brazilian music in transnational media industries
title_auth Bossa mundo Brazilian music in transnational media industries
title_full Bossa mundo Brazilian music in transnational media industries K.E. Goldschmitt.
title_fullStr Bossa mundo Brazilian music in transnational media industries K.E. Goldschmitt.
title_full_unstemmed Bossa mundo Brazilian music in transnational media industries K.E. Goldschmitt.
title_short Bossa mundo
title_sort bossa mundo brazilian music in transnational media industries
title_sub Brazilian music in transnational media industries
title_unstemmed Bossa mundo: Brazilian music in transnational media industries
topic Popular music History and criticism Brazil, Bossa nova (Music) History and criticism, Popular music Appreciation Brazil United States, Popular music Appreciation Brazil Great Britain, Music and transnationalism, Popular music ; Brazil ; History and criticism, Bossa nova (Music) ; History and criticism, Popular music ; Brazil ; Appreciation ; United States, Popular music ; Brazil ; Appreciation ; Great Britain, USA, Großbritannien, Brasilien, Unterhaltungsmusik, Bossa nova, Rezeption, Einfluss, z Geschichte 1950-2019
topic_facet Popular music, Bossa nova (Music), Music and transnationalism, Popular music ; Brazil ; History and criticism, Bossa nova (Music) ; History and criticism, Popular music ; Brazil ; Appreciation ; United States, Popular music ; Brazil ; Appreciation ; Great Britain, History and criticism, Appreciation, USA, Großbritannien, Brasilien, Unterhaltungsmusik, Bossa nova, Rezeption, Einfluss, z, Geschichte 1950-2019
url https://dx.doi.org/10.1093/oso/9780190923525.001.0001
work_keys_str_mv AT goldschmittke bossamundobrazilianmusicintransnationalmediaindustries