Bossa mundo: Brazilian music in transnational media industries

Bibliographic Details
Authors and Corporations:	Goldschmitt, K. E. (Author)
Title:	Bossa mundo: Brazilian music in transnational media industries/ K.E. Goldschmitt.
Language:	English
published:	New York, NY Oxford University Press 2019
Series:	Currents in Latin American & Iberian music Oxford scholarship online
Item Description:	1 online resource; illustrations (black and white) ; Also issued in print: 2019. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 17, 2019)
ISBN:	9780190923563
DOI:	10.1093/oso/9780190923525.001.0001


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spelling	Goldschmitt, K. E. VerfasserIn (DE-588)1198228091 (DE-627)1680547402 aut, Bossa mundo Brazilian music in transnational media industries K.E. Goldschmitt., New York, NY Oxford University Press 2019, 1 online resource illustrations (black and white)., Text txt rdacontent, unbewegtes Bild sti rdacontent, Computermedien c rdamedia, Online-Ressource cr rdacarrier, Currents in Latin American & Iberian music, Oxford scholarship online, Also issued in print: 2019. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 17, 2019), 'Bossa Mundo' chronicles how Brazilian music has been central to Brazil's national brand in the United States and the United Kingdom since the late 1950s. Scholarly texts on Brazilian popular music generally focus on questions of music and national identity, and when they discuss the music's international popularity, they keep the artists, recordings, and live performances as the focus, ignoring the process of transnational mediation. This text fills a major gap in Brazilian music studies by analyzing the consequences of moments when Brazilian music was popular in Anglophone markets, with a focus on the media industries., Popular music History and criticism Brazil, Bossa nova (Music) History and criticism, Popular music Appreciation Brazil United States, Popular music Appreciation Brazil Great Britain, Music and transnationalism, Popular music ; Brazil ; History and criticism, Bossa nova (Music) ; History and criticism, Popular music ; Brazil ; Appreciation ; United States, Popular music ; Brazil ; Appreciation ; Great Britain, g (DE-588)4078704-7 (DE-627)106076612 (DE-576)209209682 USA gnd, g (DE-588)4022153-2 (DE-627)104665513 (DE-576)208942076 Großbritannien gnd, g (DE-588)4008003-1 (DE-627)106370383 (DE-576)208873732 Brasilien gnd, s (DE-588)4061916-3 (DE-627)106133985 (DE-576)209141859 Unterhaltungsmusik gnd, s (DE-588)4271893-4 (DE-627)104496576 (DE-576)210685336 Bossa nova gnd, s (DE-588)4049716-1 (DE-627)104675152 (DE-576)209083182 Rezeption gnd, s (DE-588)4151276-5 (DE-627)104636610 (DE-576)209786868 Einfluss gnd, z gnd Geschichte 1950-2019, (DE-627), 9780190923525, Erscheint auch als Druck-Ausgabe Goldschmitt, K. E. Bossa mundo New York, NY : Oxford University Press, 2019 pages cm (DE-627)1664306846 9780190923525 9780190923532, https://dx.doi.org/10.1093/oso/9780190923525.001.0001 X:OXFORD Resolving-System lizenzpflichtig, ILN: 736 epn:3538591121 del:202504180211, https://dx.doi.org/10.1093/oso/9780190923525.001.0001 DE-14, DE-14 epn:3538390827 2019-11-07T14:24:36Z, https://dx.doi.org/10.1093/oso/9780190923525.001.0001 DE-15, DE-15 epn:3538591008 2019-11-08T12:02:50Z, https://dx.doi.org/10.1093/oso/9780190923525.001.0001 DE-Ch1, DE-Ch1 epn:3538591016 2019-11-08T12:02:50Z, DE-105 epn:3538590354 2019-12-03T13:36:53Z, https://dx.doi.org/10.1093/oso/9780190923525.001.0001 DE-Zwi2, DE-Zwi2 epn:3538591032 2019-11-08T12:02:51Z, https://dx.doi.org/10.1093/oso/9780190923525.001.0001 Zum Online-Dokument DE-Zi4, DE-Zi4 epn:3538591040 2019-11-08T12:02:51Z, https://dx.doi.org/10.1093/oso/9780190923525.001.0001 HTWK-Zugang DE-L189, DE-L189 epn:3538591059 2019-11-08T12:02:51Z, https://dx.doi.org/10.1093/oso/9780190923525.001.0001 DE-520, DE-520 epn:3538591067 2019-11-08T12:02:51Z, https://dx.doi.org/10.1093/oso/9780190923525.001.0001 DE-540, DE-540 epn:3538591075 2019-11-08T12:02:51Z, https://dx.doi.org/10.1093/oso/9780190923525.001.0001 DE-L242, DE-L242 epn:3538591083 2019-11-08T12:02:51Z, https://dx.doi.org/10.1093/oso/9780190923525.001.0001 Volltext-Zugang für registrierte Benutzer der Bibliothek DE-D117, DE-D117 epn:3538591156 2023-01-13T13:38:24Z, https://dx.doi.org/10.1093/oso/9780190923525.001.0001 Login für Zugang außerhalb des Hochschulnetzes DE-L152, DE-L152 epn:3538591172 2021-06-03T17:31:02Z, DE-105 epn:446112455X del:202504180211
spellingShingle	Goldschmitt, K. E., Bossa mundo: Brazilian music in transnational media industries, 'Bossa Mundo' chronicles how Brazilian music has been central to Brazil's national brand in the United States and the United Kingdom since the late 1950s. Scholarly texts on Brazilian popular music generally focus on questions of music and national identity, and when they discuss the music's international popularity, they keep the artists, recordings, and live performances as the focus, ignoring the process of transnational mediation. This text fills a major gap in Brazilian music studies by analyzing the consequences of moments when Brazilian music was popular in Anglophone markets, with a focus on the media industries., Popular music History and criticism Brazil, Bossa nova (Music) History and criticism, Popular music Appreciation Brazil United States, Popular music Appreciation Brazil Great Britain, Music and transnationalism, Popular music ; Brazil ; History and criticism, Bossa nova (Music) ; History and criticism, Popular music ; Brazil ; Appreciation ; United States, Popular music ; Brazil ; Appreciation ; Great Britain, USA, Großbritannien, Brasilien, Unterhaltungsmusik, Bossa nova, Rezeption, Einfluss, z Geschichte 1950-2019
title	Bossa mundo: Brazilian music in transnational media industries
title_auth	Bossa mundo Brazilian music in transnational media industries
title_full	Bossa mundo Brazilian music in transnational media industries K.E. Goldschmitt.
title_fullStr	Bossa mundo Brazilian music in transnational media industries K.E. Goldschmitt.
title_full_unstemmed	Bossa mundo Brazilian music in transnational media industries K.E. Goldschmitt.
title_short	Bossa mundo
title_sort	bossa mundo brazilian music in transnational media industries
title_sub	Brazilian music in transnational media industries
title_unstemmed	Bossa mundo: Brazilian music in transnational media industries
topic	Popular music History and criticism Brazil, Bossa nova (Music) History and criticism, Popular music Appreciation Brazil United States, Popular music Appreciation Brazil Great Britain, Music and transnationalism, Popular music ; Brazil ; History and criticism, Bossa nova (Music) ; History and criticism, Popular music ; Brazil ; Appreciation ; United States, Popular music ; Brazil ; Appreciation ; Great Britain, USA, Großbritannien, Brasilien, Unterhaltungsmusik, Bossa nova, Rezeption, Einfluss, z Geschichte 1950-2019
topic_facet	Popular music, Bossa nova (Music), Music and transnationalism, Popular music ; Brazil ; History and criticism, Bossa nova (Music) ; History and criticism, Popular music ; Brazil ; Appreciation ; United States, Popular music ; Brazil ; Appreciation ; Great Britain, History and criticism, Appreciation, USA, Großbritannien, Brasilien, Unterhaltungsmusik, Bossa nova, Rezeption, Einfluss, z, Geschichte 1950-2019
url	https://dx.doi.org/10.1093/oso/9780190923525.001.0001
work_keys_str_mv	AT goldschmittke bossamundobrazilianmusicintransnationalmediaindustries