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Legal tender: love and legitimacy in the East German cultural imagination

Authors and Corporations: Urang, John Griffith (Author)
Title: Legal tender: love and legitimacy in the East German cultural imagination/ John Griffith Urang.
Language: English
published:
Ithaca, New York Cornell University Press 2010
Ithaca, New York Cornell University Library 2010
Series: Signale : modern German letters, cultures, and thought
Item Description: 1 Online-Ressource (x, 224 Seiten); Illustrationen ; Literaturverzeichnis: Seite 203-216. - Register
ISBN: 9780801460067, 0801460069
DOI: 10.1353/book.24499
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520 |a At first glance, romance seems an improbable angle from which to write a cultural history of the German Democratic Republic. By most accounts the GDR was among the most dour and disciplined of socialist states, so devoted to the rigors of Stalinist aesthetics that the notion of an East German romantic comedy was more likely to generate punch lines than lines at the box office. But in fact, as John Urang shows in Legal Tender, love was freighted as a privileged site for the negotiation and reorganization of a surprising array of issues in East German public culture between 1949 and 1989. Through close readings of a diverse selection of films and novels from the former GDR, Urang offers an eye-opening account of the ideological stakes of love stories in East German culture. Throughout its forty-year existence the East German state was plagued with an ongoing problem of legitimacy. The love story's unique and unpredictable mix of stabilizing and subversive effects gave it a peculiar status in the cultural sphere. Urang shows how love stories could mediate the problem of social stratification, providing a language with which to discuss the experience of class antagonism without undermining the Party's legitimacy. But for the Party there was danger in borrowing legitimacy from the romantic plot: the love story's destabilizing influences of desire and drive could just as easily disrupt as reconcile. A unique contribution to German studies, Legal Tender offers remarkable insights into the uses and capacities of romance in modern Western culture. 
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contents At first glance, romance seems an improbable angle from which to write a cultural history of the German Democratic Republic. By most accounts the GDR was among the most dour and disciplined of socialist states, so devoted to the rigors of Stalinist aesthetics that the notion of an East German romantic comedy was more likely to generate punch lines than lines at the box office. But in fact, as John Urang shows in Legal Tender, love was freighted as a privileged site for the negotiation and reorganization of a surprising array of issues in East German public culture between 1949 and 1989. Through close readings of a diverse selection of films and novels from the former GDR, Urang offers an eye-opening account of the ideological stakes of love stories in East German culture. Throughout its forty-year existence the East German state was plagued with an ongoing problem of legitimacy. The love story's unique and unpredictable mix of stabilizing and subversive effects gave it a peculiar status in the cultural sphere. Urang shows how love stories could mediate the problem of social stratification, providing a language with which to discuss the experience of class antagonism without undermining the Party's legitimacy. But for the Party there was danger in borrowing legitimacy from the romantic plot: the love story's destabilizing influences of desire and drive could just as easily disrupt as reconcile. A unique contribution to German studies, Legal Tender offers remarkable insights into the uses and capacities of romance in modern Western culture.
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facet_topic_nrw_music Love stories, German, Germany (East), History and criticism, German fiction, Romance films, History, Love, Social aspects, Civilization, Love in literature, Love in motion pictures
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local_heading_facet_dezwi2 Love, Love in motion pictures, Love in literature, Romance films, German fiction, Romance fiction, German, Love stories, German ; Germany (East) ; History and criticism, Love ; Social aspects ; Germany (East), Romance films ; Germany (East) ; History, German fiction ; Germany (East) ; History and criticism, Germany (East) ; Civilization, Civilization ; fast ; (OCoLC)fst00862898, Romance films ; fast ; (OCoLC)fst01747951, Romance fiction, German ; fast ; (OCoLC)fst01003020, Love ; Social aspects ; fast ; (OCoLC)fst01002800, Love in motion pictures ; fast ; (OCoLC)fst01002811, Love in literature ; fast ; (OCoLC)fst01002808, Romance fiction, German ; Germany (East) ; History and criticism, Germany (East) ; fast ; (OCoLC)fst01210274, German fiction ; fast ; (OCoLC)fst00941384, LITERARY CRITICISM ; European ; German, Amour ; Aspect social ; Allemagne (Est), Amour au cinema, Amour dans la litterature, Films d'amour ; Allemagne (Est) ; Histoire, Roman allemand ; Allemagne (Est) ; Histoire et critique, Civilization, Love ; Social aspects, Germany (East), History, Criticism, interpretation, etc, Social aspects, History and criticism, Deutschland, Prosa, Film, Romantische Liebe, Geschichte
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spelling Urang, John Griffith 1975- VerfasserIn (DE-588)142441902 (DE-627)636281981 (DE-576)330724460 aut, Legal tender love and legitimacy in the East German cultural imagination John Griffith Urang., Ithaca, New York Cornell University Press 2010, Ithaca, New York Cornell University Library 2010, 1 Online-Ressource (x, 224 Seiten) Illustrationen, Text txt rdacontent, Computermedien c rdamedia, Online-Ressource cr rdacarrier, Signale : modern German letters, cultures, and thought, Literaturverzeichnis: Seite 203-216. - Register, Open Access Unrestricted online access star, At first glance, romance seems an improbable angle from which to write a cultural history of the German Democratic Republic. By most accounts the GDR was among the most dour and disciplined of socialist states, so devoted to the rigors of Stalinist aesthetics that the notion of an East German romantic comedy was more likely to generate punch lines than lines at the box office. But in fact, as John Urang shows in Legal Tender, love was freighted as a privileged site for the negotiation and reorganization of a surprising array of issues in East German public culture between 1949 and 1989. Through close readings of a diverse selection of films and novels from the former GDR, Urang offers an eye-opening account of the ideological stakes of love stories in East German culture. Throughout its forty-year existence the East German state was plagued with an ongoing problem of legitimacy. The love story's unique and unpredictable mix of stabilizing and subversive effects gave it a peculiar status in the cultural sphere. Urang shows how love stories could mediate the problem of social stratification, providing a language with which to discuss the experience of class antagonism without undermining the Party's legitimacy. But for the Party there was danger in borrowing legitimacy from the romantic plot: the love story's destabilizing influences of desire and drive could just as easily disrupt as reconcile. A unique contribution to German studies, Legal Tender offers remarkable insights into the uses and capacities of romance in modern Western culture., Love Social aspects Germany (East), Love in motion pictures, Love in literature, Romance films History Germany (East), German fiction History and criticism Germany (East), Romance fiction, German History and criticism Germany (East), Love stories, German ; Germany (East) ; History and criticism, Love ; Social aspects ; Germany (East), Romance films ; Germany (East) ; History, German fiction ; Germany (East) ; History and criticism, Germany (East) ; Civilization, Civilization ; fast ; (OCoLC)fst00862898, Romance films ; fast ; (OCoLC)fst01747951, Romance fiction, German ; fast ; (OCoLC)fst01003020, Love ; Social aspects ; fast ; (OCoLC)fst01002800, Love in motion pictures ; fast ; (OCoLC)fst01002811, Love in literature ; fast ; (OCoLC)fst01002808, Romance fiction, German ; Germany (East) ; History and criticism, Germany (East) ; fast ; (OCoLC)fst01210274, German fiction ; fast ; (OCoLC)fst00941384, LITERARY CRITICISM ; European ; German, Amour ; Aspect social ; Allemagne (Est), Amour au cinema, Amour dans la litterature, Films d'amour ; Allemagne (Est) ; Histoire, Roman allemand ; Allemagne (Est) ; Histoire et critique, Romance fiction, German (OCoLC)fst01003020, Romance films (OCoLC)fst01747951, German fiction (OCoLC)fst00941384, Civilization (OCoLC)fst00862898, Love ; Social aspects (OCoLC)fst01002800, Germany (East) (OCoLC)fst01210274, History (OCoLC)fst01411628, Criticism, interpretation, etc (OCoLC)fst01411635, Germany (East) Civilization, Love stories, German Germany (East) History and criticism, German fiction Germany (East) History and criticism, Romance films Germany (East) History, g (DE-588)4011890-3 (DE-627)104732415 (DE-576)20889621X Deutschland DDR gnd, s (DE-588)4047497-5 (DE-627)104137681 (DE-576)209073764 Prosa gnd, s (DE-588)4017102-4 (DE-627)104559683 (DE-576)208918531 Film gnd, s (DE-588)4421579-4 (DE-627)215000374 (DE-576)212238965 Romantische Liebe Motiv gnd, z gnd Geschichte, (DE-627), 9780801476532, Elektronische Reproduktion von Urang, John Griffith, 1975 - Legal tender Ithaca, N.Y. : Cornell University Press [u.a.], 2010 X, 224 S. (DE-627)621424579 (DE-576)345518969 0801476534 9780801476532, https://doi.org/10.1353/book.24499 2020-10-27 Resolving-System Volltext kostenfrei Volltext, https://muse.jhu.edu/book/24499/ X:MUSE Verlag kostenfrei, https://muse.jhu.edu/book/24499/ Online-Zugriff DE-15, DE-15 epn:3497598186 2019-07-26T10:22:34Z, https://muse.jhu.edu/book/24499/ LFER, LFER epn:3516000805 2019-09-16T00:00:00Z
spellingShingle Urang, John Griffith, Legal tender: love and legitimacy in the East German cultural imagination, At first glance, romance seems an improbable angle from which to write a cultural history of the German Democratic Republic. By most accounts the GDR was among the most dour and disciplined of socialist states, so devoted to the rigors of Stalinist aesthetics that the notion of an East German romantic comedy was more likely to generate punch lines than lines at the box office. But in fact, as John Urang shows in Legal Tender, love was freighted as a privileged site for the negotiation and reorganization of a surprising array of issues in East German public culture between 1949 and 1989. Through close readings of a diverse selection of films and novels from the former GDR, Urang offers an eye-opening account of the ideological stakes of love stories in East German culture. Throughout its forty-year existence the East German state was plagued with an ongoing problem of legitimacy. The love story's unique and unpredictable mix of stabilizing and subversive effects gave it a peculiar status in the cultural sphere. Urang shows how love stories could mediate the problem of social stratification, providing a language with which to discuss the experience of class antagonism without undermining the Party's legitimacy. But for the Party there was danger in borrowing legitimacy from the romantic plot: the love story's destabilizing influences of desire and drive could just as easily disrupt as reconcile. A unique contribution to German studies, Legal Tender offers remarkable insights into the uses and capacities of romance in modern Western culture., Love Social aspects Germany (East), Love in motion pictures, Love in literature, Romance films History Germany (East), German fiction History and criticism Germany (East), Romance fiction, German History and criticism Germany (East), Love stories, German ; Germany (East) ; History and criticism, Love ; Social aspects ; Germany (East), Romance films ; Germany (East) ; History, German fiction ; Germany (East) ; History and criticism, Germany (East) ; Civilization, Civilization ; fast ; (OCoLC)fst00862898, Romance films ; fast ; (OCoLC)fst01747951, Romance fiction, German ; fast ; (OCoLC)fst01003020, Love ; Social aspects ; fast ; (OCoLC)fst01002800, Love in motion pictures ; fast ; (OCoLC)fst01002811, Love in literature ; fast ; (OCoLC)fst01002808, Romance fiction, German ; Germany (East) ; History and criticism, Germany (East) ; fast ; (OCoLC)fst01210274, German fiction ; fast ; (OCoLC)fst00941384, LITERARY CRITICISM ; European ; German, Amour ; Aspect social ; Allemagne (Est), Amour au cinema, Amour dans la litterature, Films d'amour ; Allemagne (Est) ; Histoire, Roman allemand ; Allemagne (Est) ; Histoire et critique, Romance fiction, German, Romance films, German fiction, Civilization, Love ; Social aspects, Germany (East), History, Criticism, interpretation, etc, Germany (East) Civilization, Love stories, German, History and criticism, Love, Social aspects, Deutschland DDR, Prosa, Film, Romantische Liebe Motiv, Geschichte
title Legal tender: love and legitimacy in the East German cultural imagination
title_auth Legal tender love and legitimacy in the East German cultural imagination
title_full Legal tender love and legitimacy in the East German cultural imagination John Griffith Urang.
title_fullStr Legal tender love and legitimacy in the East German cultural imagination John Griffith Urang.
title_full_unstemmed Legal tender love and legitimacy in the East German cultural imagination John Griffith Urang.
title_short Legal tender
title_sort legal tender love and legitimacy in the east german cultural imagination
title_sub love and legitimacy in the East German cultural imagination
title_unstemmed Legal tender: love and legitimacy in the East German cultural imagination
topic Love Social aspects Germany (East), Love in motion pictures, Love in literature, Romance films History Germany (East), German fiction History and criticism Germany (East), Romance fiction, German History and criticism Germany (East), Love stories, German ; Germany (East) ; History and criticism, Love ; Social aspects ; Germany (East), Romance films ; Germany (East) ; History, German fiction ; Germany (East) ; History and criticism, Germany (East) ; Civilization, Civilization ; fast ; (OCoLC)fst00862898, Romance films ; fast ; (OCoLC)fst01747951, Romance fiction, German ; fast ; (OCoLC)fst01003020, Love ; Social aspects ; fast ; (OCoLC)fst01002800, Love in motion pictures ; fast ; (OCoLC)fst01002811, Love in literature ; fast ; (OCoLC)fst01002808, Romance fiction, German ; Germany (East) ; History and criticism, Germany (East) ; fast ; (OCoLC)fst01210274, German fiction ; fast ; (OCoLC)fst00941384, LITERARY CRITICISM ; European ; German, Amour ; Aspect social ; Allemagne (Est), Amour au cinema, Amour dans la litterature, Films d'amour ; Allemagne (Est) ; Histoire, Roman allemand ; Allemagne (Est) ; Histoire et critique, Romance fiction, German, Romance films, German fiction, Civilization, Love ; Social aspects, Germany (East), History, Criticism, interpretation, etc, Germany (East) Civilization, Love stories, German, History and criticism, Love, Social aspects, Deutschland DDR, Prosa, Film, Romantische Liebe Motiv, Geschichte
topic_facet Love, Love in motion pictures, Love in literature, Romance films, German fiction, Romance fiction, German, Love stories, German ; Germany (East) ; History and criticism, Love ; Social aspects ; Germany (East), Romance films ; Germany (East) ; History, German fiction ; Germany (East) ; History and criticism, Germany (East) ; Civilization, Civilization ; fast ; (OCoLC)fst00862898, Romance films ; fast ; (OCoLC)fst01747951, Romance fiction, German ; fast ; (OCoLC)fst01003020, Love ; Social aspects ; fast ; (OCoLC)fst01002800, Love in motion pictures ; fast ; (OCoLC)fst01002811, Love in literature ; fast ; (OCoLC)fst01002808, Romance fiction, German ; Germany (East) ; History and criticism, Germany (East) ; fast ; (OCoLC)fst01210274, German fiction ; fast ; (OCoLC)fst00941384, LITERARY CRITICISM ; European ; German, Amour ; Aspect social ; Allemagne (Est), Amour au cinema, Amour dans la litterature, Films d'amour ; Allemagne (Est) ; Histoire, Roman allemand ; Allemagne (Est) ; Histoire et critique, Civilization, Love ; Social aspects, Germany (East), History, Criticism, interpretation, etc, Social aspects, History and criticism, Deutschland, Prosa, Film, Romantische Liebe, Geschichte, Love stories, German
url https://doi.org/10.1353/book.24499, https://muse.jhu.edu/book/24499/