Absolute music the history of an idea

What we think music is shapes how we hear it. This book traces the history of the idea of pure - 'absolute' - music from Pythagoras to the present, with special emphasis on efforts to reconcile the irreducible essence of the art with its profound effects on the human spirit. The core of th...

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Authors and Corporations: Bonds, Mark Evan (Author)
Title: Absolute music the history of an idea Mark Evan Bonds.
Type of Resource: E-Book
Language:English
published:
New York: Oxford University Press, 2014
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contentsWhat we think music is shapes how we hear it. This book traces the history of the idea of pure - 'absolute' - music from Pythagoras to the present, with special emphasis on efforts to reconcile the irreducible essence of the art with its profound effects on the human spirit. The core of this study focuses on the period 1850-1935, beginning with the collision between Richard Wagner and the Viennese critic Eduard Hanslick.
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spellingBonds, Mark Evan VerfasserIn (DE-588)131657917 (DE-627)512393494 (DE-576)168438461 aut, Absolute music the history of an idea Mark Evan Bonds., New York Oxford University Press 2014, 1 online resource, Text txt rdacontent, Computermedien c rdamedia, Online-Ressource cr rdacarrier, Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on May 20, 2014), What we think music is shapes how we hear it. This book traces the history of the idea of pure - 'absolute' - music from Pythagoras to the present, with special emphasis on efforts to reconcile the irreducible essence of the art with its profound effects on the human spirit. The core of this study focuses on the period 1850-1935, beginning with the collision between Richard Wagner and the Viennese critic Eduard Hanslick., ZRED: Sacherschließungsdaten maschinell aus paralleler Ausg. übernommen (SWB), Music Philosophy and aesthetics, Absolute music, Music ; Philosophy and aesthetics, 9780199343638, Erscheint auch als Druck-Ausgabe Absolute music New York [u.a.] : Oxford University Press, 2014 XIII, 375 Seiten (DE-627)1608727734 (DE-576)404897185 9780199343638 0199343632 9780199343652 0199343659 9780199343645 0199343640, http://dx.doi.org/10.1093/acprof:oso/9780199343638.001.0001 X:OXFORD Verlag Volltext, http://dx.doi.org/10.1093/acprof:oso/9780199343638.001.0001 Nur aus dem Hochschulnetz erreichbar DE-D117, DE-D117 2019-01-11T11:58:02Z, http://dx.doi.org/10.1093/acprof:oso/9780199343638.001.0001 DE-Ch1, DE-Ch1 2018-12-07T12:47:12Z 2019-10-20, http://dx.doi.org/10.1093/acprof:oso/9780199343638.001.0001 HTWK-Zugang DE-L189, DE-L189 2018-12-07T12:47:12Z, http://dx.doi.org/10.1093/acprof:oso/9780199343638.001.0001 DE-L229, DE-L229 2018-12-07T12:47:12Z, http://dx.doi.org/10.1093/acprof:oso/9780199343638.001.0001 DE-520, DE-520 2018-12-11T16:38:16Z, http://dx.doi.org/10.1093/acprof:oso/9780199343638.001.0001 DE-L242, DE-L242 2019-01-15T15:59:54Z, http://dx.doi.org/10.1093/acprof:oso/9780199343638.001.0001 DE-Brt1, DE-Brt1 2018-12-07T12:47:12Z, http://dx.doi.org/10.1093/acprof:oso/9780199343638.001.0001 Volltext DE-L152, DE-L152 2019-02-28T09:54:10Z 2019-03-01, http://dx.doi.org/10.1093/acprof:oso/9780199343638.001.0001 DE-540, DE-540 2018-12-13T13:45:10Z, http://dx.doi.org/10.1093/acprof:oso/9780199343638.001.0001 DE-D161, DE-D161 2018-12-07T12:47:12Z, http://dx.doi.org/10.1093/acprof:oso/9780199343638.001.0001 DE-Rs1, DE-Rs1 2018-12-07T12:47:12Z, http://dx.doi.org/10.1093/acprof:oso/9780199343638.001.0001 DE-Pl11, DE-Pl11 2018-12-07T12:47:12Z, http://dx.doi.org/10.1093/acprof:oso/9780199343638.001.0001 DE-14, DE-14 2018-12-07T12:47:12Z 2019-10-22, http://dx.doi.org/10.1093/acprof:oso/9780199343638.001.0001 DE-15, DE-15 2018-12-10T08:58:01Z, DE-105 2019-01-29T15:13:58Z 2019-10-21, http://dx.doi.org/10.1093/acprof:oso/9780199343638.001.0001 DE-Zwi2, DE-Zwi2 2019-10-24T11:50:28Z 2019-10-28, http://dx.doi.org/10.1093/acprof:oso/9780199343638.001.0001 Zum Online-Dokument DE-Zi4, DE-Zi4 2018-12-11T15:53:54Z 2019-10-22, http://dx.doi.org/10.1093/acprof:oso/9780199343638.001.0001 DE-Gla1, DE-Gla1 2018-12-07T12:47:12Z, http://dx.doi.org/10.1093/acprof:oso/9780199343638.001.0001 DE-Bn3, DE-Bn3 2018-12-07T12:47:12Z, http://dx.doi.org/10.1093/acprof:oso/9780199343638.001.0001 DE-D275, DE-D275 2018-12-07T12:47:12Z
spellingShingleBonds, Mark Evan, Absolute music: the history of an idea, What we think music is shapes how we hear it. This book traces the history of the idea of pure - 'absolute' - music from Pythagoras to the present, with special emphasis on efforts to reconcile the irreducible essence of the art with its profound effects on the human spirit. The core of this study focuses on the period 1850-1935, beginning with the collision between Richard Wagner and the Viennese critic Eduard Hanslick., Music Philosophy and aesthetics, Absolute music, Music ; Philosophy and aesthetics
swb_id_str514945346
titleAbsolute music: the history of an idea
title_authAbsolute music the history of an idea
title_fullAbsolute music the history of an idea Mark Evan Bonds.
title_fullStrAbsolute music the history of an idea Mark Evan Bonds.
title_full_unstemmedAbsolute music the history of an idea Mark Evan Bonds.
title_list_strAbsolute music, the history of an idea
title_shortAbsolute music
title_sortabsolute music the history of an idea
title_subthe history of an idea
topicMusic Philosophy and aesthetics, Absolute music, Music ; Philosophy and aesthetics
topic_facetMusic, Absolute music, Music ; Philosophy and aesthetics, Philosophy and aesthetics
urlhttp://dx.doi.org/10.1093/acprof:oso/9780199343638.001.0001