|
|
|
|
LEADER |
09497cam a22024732 4500 |
001 |
0-1655717782 |
003 |
DE-627 |
005 |
20221213092143.0 |
007 |
cr uuu---uuuuu |
008 |
140506r20112012xx |||||o 00| ||ger c |
020 |
|
|
|a 3110265168
|9 3-11-026516-8
|
024 |
7 |
|
|a 10.1515/9783110265163
|2 doi
|
035 |
|
|
|a (DE-627)1655717782
|
035 |
|
|
|a (DE-576)405038348
|
035 |
|
|
|a (DE-599)GBV686949951
|
035 |
|
|
|a (OCoLC)840439029
|
035 |
|
|
|a (OCoLC)772845241
|
035 |
|
|
|a (EBP)006045138
|
035 |
|
|
|a (DE-B1597)172370
|
040 |
|
|
|a DE-627
|b ger
|c DE-627
|e rakwb
|
041 |
|
|
|a ger
|
050 |
|
0 |
|a PT2603.E455 .Ur889 2011
|
082 |
0 |
|
|a 001.09
|
082 |
0 |
|
|a 838.912
|2 23
|
084 |
|
|
|a GM 2378
|2 rvk
|0 (DE-625)rvk/41881:11810
|
084 |
|
|
|a PHI001000
|2 bisacsh
|
084 |
|
|
|a PHI004000
|2 bisacsh
|
084 |
|
|
|a LIT000000
|2 bisacsh
|
084 |
|
|
|a 17.73
|2 bkl
|
084 |
|
|
|a 24.03
|2 bkl
|
084 |
|
|
|a 18.10
|2 bkl
|
084 |
|
|
|a 17.84
|2 bkl
|
100 |
1 |
|
|a Urbich, Jan
|d 1978-
|0 (DE-588)1014940486
|0 (DE-627)667910441
|0 (DE-576)337769982
|4 aut
|
245 |
1 |
0 |
|a Darstellung bei Walter Benjamin
|b Die "Erkenntniskritische Vorrede" im Kontext ästhetischer Darstellungstheorien der Moderne
|c Jan Urbich
|
250 |
|
|
|a 1. Aufl.
|
264 |
|
1 |
|a s.l.
|b Walter de Gruyter GmbH Co.KG
|c 2011
|
264 |
|
4 |
|c ©2012
|
300 |
|
|
|a Online-Ressource
|
336 |
|
|
|a Text
|b txt
|2 rdacontent
|
337 |
|
|
|a Computermedien
|b c
|2 rdamedia
|
338 |
|
|
|a Online-Ressource
|b cr
|2 rdacarrier
|
490 |
0 |
|
|a Studien zur deutschen Literatur
|
506 |
1 |
|
|a Restricted Access
|e Controlled Vocabulary for Access Rights
|u http://purl.org/coar/access_right/c_16ec
|f online access with authorization
|2 star
|
520 |
|
|
|a Jan Urbich
|
520 |
|
|
|a This study is dedicated to the comprehensive explanation of what is probably Walter Benjamin's most difficult text, the Erkenntniskritische Vorrede (critical foreword) to his Ursprung des deutschen Trauerspiels (Origin of German Tragic Drama). The thorough analytical commentary exposes the historical and systematic terminological constructions of this text and places them within the context of the discourse on presentation since the 18th century. For the first time Benjamin's premarxist philosophy and literary theory are seen as an independent contribution to a philosophy of literary represent
|
534 |
|
|
|c 2012
|
650 |
|
4 |
|a Ästhetik.
|
650 |
|
4 |
|a Benjamin, Walter.
|
650 |
|
4 |
|a Erkenntnistheorie.
|
650 |
|
4 |
|a Theorie der Darstellung.
|
650 |
|
4 |
|a LITERARY CRITICISM / General
|
653 |
|
4 |
|a Critical Theory
|
653 |
|
4 |
|a Epistemology
|
653 |
|
4 |
|a Representation
|
689 |
0 |
0 |
|D u
|0 (DE-588)4299332-5
|0 (DE-627)104119594
|0 (DE-576)211017558
|a Benjamin, Walter
|d 1892-1940
|t Ursprung des deutschen Trauerspiels
|2 gnd
|
689 |
0 |
|
|5 DE-101
|
689 |
1 |
0 |
|D p
|0 (DE-588)118509039
|0 (DE-627)133801799
|0 (DE-576)160242886
|a Benjamin, Walter
|d 1892-1940
|2 gnd
|
689 |
1 |
1 |
|D s
|0 (DE-588)4070914-0
|0 (DE-627)106099086
|0 (DE-576)209182261
|a Erkenntnistheorie
|2 gnd
|
689 |
1 |
2 |
|D s
|0 (DE-588)4000626-8
|0 (DE-627)106400541
|0 (DE-576)208838821
|a Ästhetik
|2 gnd
|
689 |
1 |
|
|5 DE-101
|
776 |
1 |
|
|z 311026515X
|
776 |
0 |
8 |
|i Druckausg.
|a Urbich, Jan, 1978 -
|t Darstellung bei Walter Benjamin
|d Berlin [u.a.] : De Gruyter, 2012
|h VII, 531 S.
|w (DE-627)667497617
|w (DE-576)35028895X
|z 311026515X
|z 9783110265156
|
856 |
4 |
0 |
|u https://doi.org/10.1515/9783110265163
|m X:GRUY
|x Resolving-System
|z lizenzpflichtig
|3 Volltext
|
856 |
4 |
0 |
|u https://www.degruyter.com/isbn/9783110265163
|m X:GRUY
|x Verlag
|z lizenzpflichtig
|
856 |
4 |
2 |
|u https://www.degruyter.com/doc/cover/9783110265163.jpg
|m X:GRUY
|3 Cover
|
856 |
4 |
2 |
|u https://www.degruyter.com/document/cover/isbn/9783110265163/original
|m X:GRUY
|x Verlag
|3 Cover
|
912 |
|
|
|a GBV-23-GLC-UBRO
|
912 |
|
|
|a BSZ-23-DGG-L1UB
|b 2020
|
912 |
|
|
|a EBA-BACKALL
|
912 |
|
|
|a EBA-CL-LT
|
912 |
|
|
|a EBA-CL-PLTLJSIS
|
912 |
|
|
|a EBA-DGALL
|
912 |
|
|
|a EBA-EBKALL
|
912 |
|
|
|a EBA-SSHALL
|
912 |
|
|
|a GBV-deGruyter-alles
|
912 |
|
|
|a PDA11SSHE
|
912 |
|
|
|a PDA14ALL
|
912 |
|
|
|a PDA16SSH
|
912 |
|
|
|a PDA1ALL
|
912 |
|
|
|a PDA2
|
912 |
|
|
|a PDA2HUM
|
912 |
|
|
|a PDA5EBK
|
912 |
|
|
|a ZDB-23-DGA
|b 2011
|
912 |
|
|
|a ZDB-23-DGG
|b 2011
|
912 |
|
|
|a ZDB-23-GBA
|b 2000-2014
|
912 |
|
|
|a ZDB-23-GLC
|b 2000-2014
|
936 |
r |
v |
|a GM 2378
|b Sekundärliteratur
|k Deutsche Literatur
|k Das 20. Jahrhundert und Moderne I
|k Das 20. Jahrhundert und Moderne I. 1885 - 1945
|k Literaturgeschichte
|k Einzelne Autoren
|k Autoren B
|k Benjamin, Walter
|k Sekundärliteratur
|0 (DE-627)1271082721
|0 (DE-625)rvk/41881:11810
|0 (DE-576)201082721
|
936 |
b |
k |
|a 17.73
|j Literaturtheorie: Allgemeines
|q SEPA
|0 (DE-627)106422154
|
936 |
b |
k |
|a 24.03
|j Theorie und Ästhetik des Theaters
|q SEPA
|0 (DE-627)106405640
|
936 |
b |
k |
|a 18.10
|j Deutsche Literatur
|q SEPA
|0 (DE-627)106405047
|
936 |
b |
k |
|a 17.84
|j Sonstige literarische Gattungen
|q SEPA
|0 (DE-627)181571692
|
951 |
|
|
|a BO
|
020 |
|
|
|a 9783110265163
|
983 |
|
|
|a (DE-Zwi2)500310121
|
975 |
|
|
|c EB
|
856 |
4 |
0 |
|u https://doi.org/10.1515/9783110265163
|9 DE-Zwi2
|
852 |
|
|
|a DE-Zwi2
|z 2021-06-29T14:17:28Z
|x 2021-07-09
|
983 |
|
|
|a (DE-Ch1)1000634619
|
971 |
|
|
|c EBOOK
|
971 |
|
|
|g E-Book DeGruyter PDA-Sachsenkonsortium-dg20
|
856 |
4 |
0 |
|u https://doi.org/10.1515/9783110265163
|9 DE-Ch1
|
852 |
|
|
|a DE-Ch1
|z 2020-11-30T10:24:20Z
|x 2021-02-01
|
983 |
|
|
|a (DE-Zi4)1000512898
|
976 |
|
|
|c EB
|
856 |
4 |
0 |
|u https://doi.org/10.1515/9783110265163
|z Zum Online-Dokument
|9 DE-Zi4
|
852 |
|
|
|a DE-Zi4
|z 2020-11-16T11:38:25Z
|x 2022-04-04
|
983 |
|
|
|a (DE-14)16784695
|
984 |
|
|
|c FILE
|
856 |
4 |
0 |
|u https://doi.org/10.1515/9783110265163
|9 DE-14
|
852 |
|
|
|a DE-14
|z 2020-11-26T11:05:25Z
|x 2020-11-30
|
912 |
|
|
|9 DE-15
|a UBL-DeGruyter-2020
|
856 |
4 |
0 |
|u https://doi.org/10.1515/9783110265163
|y Online-Zugriff
|9 DE-15
|
852 |
|
|
|a DE-15
|z 2020-11-13T13:41:45Z
|
983 |
|
|
|a (DE-105)501123467
|
972 |
|
|
|c EBOOK
|
852 |
|
|
|a DE-105
|z 2020-11-16T11:04:08Z
|x 2020-11-24
|
856 |
4 |
0 |
|u https://doi.org/10.1515/9783110265163
|y HTWK-Zugang
|9 DE-L189
|
852 |
|
|
|a DE-L189
|z 2020-11-26T11:26:10Z
|
856 |
4 |
0 |
|u https://doi.org/10.1515/9783110265163
|9 DE-520
|
852 |
|
|
|a DE-520
|z 2021-02-09T10:40:22Z
|
856 |
4 |
0 |
|u https://doi.org/10.1515/9783110265163
|9 DE-540
|
852 |
|
|
|a DE-540
|z 2021-01-22T13:22:11Z
|
856 |
4 |
0 |
|u https://doi.org/10.1515/9783110265163
|9 DE-L242
|
852 |
|
|
|a DE-L242
|z 2021-01-14T12:56:38Z
|
856 |
4 |
0 |
|u https://doi.org/10.1515/9783110265163
|9 ILN: 736
|
852 |
|
|
|a ILN: 736
|z 2023-04-05T23:15:47Z
|
972 |
|
|
|k Campuslizenz
|
975 |
|
|
|o E-Book De Gruyter
|
975 |
|
|
|k Elektronischer Volltext - Campuslizenz
|
976 |
|
|
|h Elektronischer Volltext - Campuslizenz. Zugriff von auβerhalb nur für HSZG-Angehörige mit VPN-Verbindung möglich.
|
950 |
|
|
|a Epistemologie
|
950 |
|
|
|a Epistologie
|
950 |
|
|
|a Erkenntnislehre
|
950 |
|
|
|a Erkenntnisphilosophie
|
950 |
|
|
|a Gnoseologie
|
950 |
|
|
|a Theoretische Philosophie
|
950 |
|
|
|a Episteme
|
950 |
|
|
|a Erkenntnis
|
950 |
|
|
|a Rationalismus
|
950 |
|
|
|a 认识论
|
950 |
|
|
|a 知识论
|
950 |
|
|
|a 認識論
|
950 |
|
|
|a 知識論
|
950 |
|
|
|a Теория познания
|
950 |
|
|
|a Ardor
|
950 |
|
|
|a Benjamin, Valter
|
950 |
|
|
|a Ben'jamin, Val'ter
|
950 |
|
|
|a Benjamin, Walter Bendix Schönflies
|
950 |
|
|
|a Benjamins, Valters
|
950 |
|
|
|a Benyamin, Varūta
|
950 |
|
|
|a Benyamin, Varutā
|
950 |
|
|
|a Ben'yamin, Varutā
|
950 |
|
|
|a Benyāmîn, Walṭer
|
950 |
|
|
|a Binyamin, Ṿalṭer
|
950 |
|
|
|a Binyāmîn, Walṭer
|
950 |
|
|
|a Binyāmīn, Fāltir
|
950 |
|
|
|a Conrad, C.
|
950 |
|
|
|a Holz, Detlef
|
950 |
|
|
|a Holz, Detlev
|
950 |
|
|
|a Mpengiamin, Balter
|
950 |
|
|
|a Schönflies, Benedix
|
950 |
|
|
|a Wa er te Ben ya ming
|
950 |
|
|
|a Waerte-Benyaming
|
950 |
|
|
|a Benyaming, Waerte
|
950 |
|
|
|a Benʹjamin, Valʹter
|
950 |
|
|
|a Philosoph
|
950 |
|
|
|a Literaturkritiker
|
950 |
|
|
|a Übersetzer
|
950 |
|
|
|a Schriftsteller
|
950 |
|
|
|a Librettist
|
950 |
|
|
|a 벤야민, 발터
|
950 |
|
|
|a בנימין, ולטר
|
950 |
|
|
|a 瓦尔特‧本雅明
|
950 |
|
|
|a ヴァルター・ベンヤミン
|
950 |
|
|
|a 本雅明, 瓦尔特
|
950 |
|
|
|a ベンヤミン, ヴァルター
|
950 |
|
|
|a بنجامان, فالتر
|
950 |
|
|
|a Künste
|
950 |
|
|
|a Ästhetik
|
950 |
|
|
|a Theorie
|
950 |
|
|
|a Kunstästhetik
|
950 |
|
|
|a Kunstphilosophie
|
950 |
|
|
|a Kunsttheorie
|
950 |
|
|
|a Philosophische Ästhetik
|
950 |
|
|
|a Kunstanschauung
|
950 |
|
|
|a Kunstauffassung
|
950 |
|
|
|a Philosophie
|
950 |
|
|
|a Ästhetizismus
|
950 |
|
|
|a Ästhetisches Handeln
|
950 |
|
|
|a Ästhetisches Verhalten
|
950 |
|
|
|a Ästhetisches Ideal
|
950 |
|
|
|a Ästhetisches Objekt
|
950 |
|
|
|a Ästhetisches Urteil
|
950 |
|
|
|a 美学
|
950 |
|
|
|a 美學
|
950 |
|
|
|a Эстетика
|
950 |
|
|
|a Benjamin, Walter
|
950 |
|
|
|a Det tyske sørgespils oprindelse
|
950 |
|
|
|a Origin of the German Trauerspiel
|
950 |
|
|
|a Origine del dramma barocco tedesco
|
950 |
|
|
|a Il dramma barocco tedesco
|
950 |
|
|
|a Źródło dramatu żałobnego w Niemczech
|
950 |
|
|
|a Origem do drama trágico alemão
|
950 |
|
|
|a Originea dramei baroce germane
|
951 |
|
|
|a XA-DE
|
951 |
|
|
|a XA-CH
|
951 |
|
|
|a XA-FR
|
951 |
|
|
|b XA-DE
|
980 |
|
|
|a 1655717782
|b 0
|k 1655717782
|o 405038348
|
SOLR
_version_ |
1762494012529311744 |
access_facet |
Electronic Resources |
access_state_str |
Restricted Access |
author |
Urbich, Jan |
author_facet |
Urbich, Jan |
author_role |
aut |
author_sort |
Urbich, Jan 1978- |
author_variant |
j u ju |
callnumber-first |
P - Language and Literature |
callnumber-label |
PT2603 |
callnumber-raw |
PT2603.E455 .Ur889 2011 |
callnumber-search |
PT2603.E455 .Ur889 2011 |
callnumber-sort |
PT 42603 E455 U R889 42011 |
callnumber-subject |
PT - European, Asian and African Literature |
collection |
GBV-23-GLC-UBRO, BSZ-23-DGG-L1UB, EBA-BACKALL, EBA-CL-LT, EBA-CL-PLTLJSIS, EBA-DGALL, EBA-EBKALL, EBA-SSHALL, GBV-deGruyter-alles, PDA11SSHE, PDA14ALL, PDA16SSH, PDA1ALL, PDA2, PDA2HUM, PDA5EBK, ZDB-23-DGA, ZDB-23-DGG, ZDB-23-GBA, ZDB-23-GLC, UBL-DeGruyter-2020 |
contents |
Jan Urbich, This study is dedicated to the comprehensive explanation of what is probably Walter Benjamin's most difficult text, the Erkenntniskritische Vorrede (critical foreword) to his Ursprung des deutschen Trauerspiels (Origin of German Tragic Drama). The thorough analytical commentary exposes the historical and systematic terminological constructions of this text and places them within the context of the discourse on presentation since the 18th century. For the first time Benjamin's premarxist philosophy and literary theory are seen as an independent contribution to a philosophy of literary represent |
ctrlnum |
(DE-627)1655717782, (DE-576)405038348, (DE-599)GBV686949951, (OCoLC)840439029, (OCoLC)772845241, (EBP)006045138, (DE-B1597)172370 |
de105_date |
2020-11-16T11:04:08Z |
de15_date |
2020-11-13T13:41:45Z |
dech1_date |
2020-11-30T10:24:20Z |
dewey-full |
001.09, 838.912 |
dewey-hundreds |
000 - Computer science, information & general works, 800 - Literature |
dewey-ones |
001 - Knowledge, 838 - German miscellaneous writings |
dewey-raw |
001.09, 838.912 |
dewey-search |
001.09, 838.912 |
dewey-sort |
11.09 |
dewey-tens |
000 - Computer science, knowledge & systems, 830 - German & related literatures |
doi_str_mv |
10.1515/9783110265163 |
edition |
1. Aufl. |
facet_912a |
GBV-23-GLC-UBRO, BSZ-23-DGG-L1UB, EBA-BACKALL, EBA-CL-LT, EBA-CL-PLTLJSIS, EBA-DGALL, EBA-EBKALL, EBA-SSHALL, GBV-deGruyter-alles, PDA11SSHE, PDA14ALL, PDA16SSH, PDA1ALL, PDA2, PDA2HUM, PDA5EBK, ZDB-23-DGA, ZDB-23-DGG, ZDB-23-GBA, ZDB-23-GLC, UBL-DeGruyter-2020 |
facet_avail |
Online |
facet_local_del330 |
Benjamin, Walter, Erkenntnistheorie, Ästhetik |
facet_topic_nrw_music |
Critical Theory, Epistemology, Representation |
finc_class_facet |
Germanistik, Niederlandistik, Skandinavistik, Informatik |
finc_id_str |
0012866160 |
fincclass_txtF_mv |
philology-germanicscandinavian, information-library-systems, information-knowledge, philology, theatre-dance-film |
format |
eBook |
format_access_txtF_mv |
Book, E-Book |
format_de105 |
Ebook |
format_de14 |
Book, E-Book |
format_de15 |
Book, E-Book |
format_del152 |
Buch |
format_detail_txtF_mv |
text-online-monograph-independent |
format_dezi4 |
e-Book |
format_dezwi2 |
Ebook |
format_finc |
Book, E-Book |
format_legacy |
ElectronicBook |
format_legacy_nrw |
Book, E-Book |
format_nrw |
Book, E-Book |
format_strict_txtF_mv |
E-Book |
geogr_code |
Europe, Germany, Switzerland, France |
geogr_code_person |
Germany |
id |
0-1655717782 |
illustrated |
Not Illustrated |
imprint |
s.l., Walter de Gruyter GmbH Co.KG, 2011 |
imprint_str_mv |
s.l.: Walter de Gruyter GmbH Co.KG, 2011 |
institution |
DE-14, DE-105, DE-L189, DE-Zi4, DE-L242, ILN: 736, DE-Zwi2, DE-Ch1, DE-520, DE-15, DE-540 |
is_hierarchy_id |
|
is_hierarchy_title |
|
isbn |
3110265168, 9783110265163 |
isbn_isn_mv |
311026515X, 9783110265156 |
isil_str_mv |
DE-Zwi2, DE-Ch1, DE-Zi4, DE-14, DE-15, DE-105, DE-L189, DE-520, DE-540, DE-L242, ILN-736 |
kxp_id_str |
1655717782 |
language |
German |
last_indexed |
2023-04-07T05:27:52.415Z |
local_heading_facet_dezwi2 |
Ästhetik., Benjamin, Walter., Erkenntnistheorie., Theorie der Darstellung., LITERARY CRITICISM / General, Benjamin, Walter, Erkenntnistheorie, Ästhetik |
marc024a_ct_mv |
10.1515/9783110265163 |
match_str |
urbich2011darstellungbeiwalterbenjamindieerkenntniskritischevorredeimkontextasthetischerdarstellungstheoriendermoderne |
mega_collection |
Verbunddaten SWB |
misc_de105 |
EBOOK |
names_id_str_mv |
(DE-588)1014940486, (DE-627)667910441, (DE-576)337769982 |
oclc_num |
840439029, 772845241 |
physical |
Online-Ressource |
publishDate |
2011, , ©2012 |
publishDateSort |
2011 |
publishPlace |
s.l., |
publisher |
Walter de Gruyter GmbH Co.KG, |
record_format |
marcfinc |
record_id |
405038348 |
recordtype |
marcfinc |
rsn_id_str_mv |
(DE-14)16784695 |
rvk_facet |
GM 2378 |
rvk_label |
Deutsche Literatur, Das 20. Jahrhundert und Moderne I, Das 20. Jahrhundert und Moderne I. 1885 - 1945, Literaturgeschichte, Einzelne Autoren, Autoren B, Benjamin, Walter, Sekundärliteratur |
rvk_path |
GM 2211 - GM 2804, GE 3003 - GT 1500, GM, GM 2378, G, GM 1001 - GM 7651, GM 2100 - GM 7651, GM 2375 - GM 2378, GM 1402 - GM 7651 |
rvk_path_str_mv |
GM 2211 - GM 2804, GE 3003 - GT 1500, GM, GM 2378, G, GM 1001 - GM 7651, GM 2100 - GM 7651, GM 2375 - GM 2378, GM 1402 - GM 7651 |
series2 |
Studien zur deutschen Literatur |
source_id |
0 |
spelling |
Urbich, Jan 1978- (DE-588)1014940486 (DE-627)667910441 (DE-576)337769982 aut, Darstellung bei Walter Benjamin Die "Erkenntniskritische Vorrede" im Kontext ästhetischer Darstellungstheorien der Moderne Jan Urbich, 1. Aufl., s.l. Walter de Gruyter GmbH Co.KG 2011, ©2012, Online-Ressource, Text txt rdacontent, Computermedien c rdamedia, Online-Ressource cr rdacarrier, Studien zur deutschen Literatur, Restricted Access Controlled Vocabulary for Access Rights http://purl.org/coar/access_right/c_16ec online access with authorization star, Jan Urbich, This study is dedicated to the comprehensive explanation of what is probably Walter Benjamin's most difficult text, the Erkenntniskritische Vorrede (critical foreword) to his Ursprung des deutschen Trauerspiels (Origin of German Tragic Drama). The thorough analytical commentary exposes the historical and systematic terminological constructions of this text and places them within the context of the discourse on presentation since the 18th century. For the first time Benjamin's premarxist philosophy and literary theory are seen as an independent contribution to a philosophy of literary represent, 2012, Ästhetik., Benjamin, Walter., Erkenntnistheorie., Theorie der Darstellung., LITERARY CRITICISM / General, Critical Theory, Epistemology, Representation, u (DE-588)4299332-5 (DE-627)104119594 (DE-576)211017558 Benjamin, Walter 1892-1940 Ursprung des deutschen Trauerspiels gnd, DE-101, p (DE-588)118509039 (DE-627)133801799 (DE-576)160242886 Benjamin, Walter 1892-1940 gnd, s (DE-588)4070914-0 (DE-627)106099086 (DE-576)209182261 Erkenntnistheorie gnd, s (DE-588)4000626-8 (DE-627)106400541 (DE-576)208838821 Ästhetik gnd, 311026515X, Druckausg. Urbich, Jan, 1978 - Darstellung bei Walter Benjamin Berlin [u.a.] : De Gruyter, 2012 VII, 531 S. (DE-627)667497617 (DE-576)35028895X 311026515X 9783110265156, https://doi.org/10.1515/9783110265163 X:GRUY Resolving-System lizenzpflichtig Volltext, https://www.degruyter.com/isbn/9783110265163 X:GRUY Verlag lizenzpflichtig, https://www.degruyter.com/doc/cover/9783110265163.jpg X:GRUY Cover, https://www.degruyter.com/document/cover/isbn/9783110265163/original X:GRUY Verlag Cover, https://doi.org/10.1515/9783110265163 DE-Zwi2, DE-Zwi2 2021-06-29T14:17:28Z 2021-07-09, https://doi.org/10.1515/9783110265163 DE-Ch1, DE-Ch1 2020-11-30T10:24:20Z 2021-02-01, https://doi.org/10.1515/9783110265163 Zum Online-Dokument DE-Zi4, DE-Zi4 2020-11-16T11:38:25Z 2022-04-04, https://doi.org/10.1515/9783110265163 DE-14, DE-14 2020-11-26T11:05:25Z 2020-11-30, https://doi.org/10.1515/9783110265163 Online-Zugriff DE-15, DE-15 2020-11-13T13:41:45Z, DE-105 2020-11-16T11:04:08Z 2020-11-24, https://doi.org/10.1515/9783110265163 HTWK-Zugang DE-L189, DE-L189 2020-11-26T11:26:10Z, https://doi.org/10.1515/9783110265163 DE-520, DE-520 2021-02-09T10:40:22Z, https://doi.org/10.1515/9783110265163 DE-540, DE-540 2021-01-22T13:22:11Z, https://doi.org/10.1515/9783110265163 DE-L242, DE-L242 2021-01-14T12:56:38Z, https://doi.org/10.1515/9783110265163 ILN: 736, ILN: 736 2023-04-05T23:15:47Z |
spellingShingle |
Urbich, Jan, Darstellung bei Walter Benjamin: Die "Erkenntniskritische Vorrede" im Kontext ästhetischer Darstellungstheorien der Moderne, Jan Urbich, This study is dedicated to the comprehensive explanation of what is probably Walter Benjamin's most difficult text, the Erkenntniskritische Vorrede (critical foreword) to his Ursprung des deutschen Trauerspiels (Origin of German Tragic Drama). The thorough analytical commentary exposes the historical and systematic terminological constructions of this text and places them within the context of the discourse on presentation since the 18th century. For the first time Benjamin's premarxist philosophy and literary theory are seen as an independent contribution to a philosophy of literary represent, Ästhetik., Benjamin, Walter., Erkenntnistheorie., Theorie der Darstellung., LITERARY CRITICISM / General, Critical Theory, Epistemology, Representation, Benjamin, Walter, Erkenntnistheorie, Ästhetik |
swb_id_str |
405038348 |
title |
Darstellung bei Walter Benjamin: Die "Erkenntniskritische Vorrede" im Kontext ästhetischer Darstellungstheorien der Moderne |
title_auth |
Darstellung bei Walter Benjamin Die "Erkenntniskritische Vorrede" im Kontext ästhetischer Darstellungstheorien der Moderne |
title_full |
Darstellung bei Walter Benjamin Die "Erkenntniskritische Vorrede" im Kontext ästhetischer Darstellungstheorien der Moderne Jan Urbich |
title_fullStr |
Darstellung bei Walter Benjamin Die "Erkenntniskritische Vorrede" im Kontext ästhetischer Darstellungstheorien der Moderne Jan Urbich |
title_full_unstemmed |
Darstellung bei Walter Benjamin Die "Erkenntniskritische Vorrede" im Kontext ästhetischer Darstellungstheorien der Moderne Jan Urbich |
title_short |
Darstellung bei Walter Benjamin |
title_sort |
darstellung bei walter benjamin die erkenntniskritische vorrede im kontext asthetischer darstellungstheorien der moderne |
title_sub |
Die "Erkenntniskritische Vorrede" im Kontext ästhetischer Darstellungstheorien der Moderne |
topic |
Ästhetik., Benjamin, Walter., Erkenntnistheorie., Theorie der Darstellung., LITERARY CRITICISM / General, Critical Theory, Epistemology, Representation, Benjamin, Walter, Erkenntnistheorie, Ästhetik |
topic_facet |
Ästhetik., Benjamin, Walter., Erkenntnistheorie., Theorie der Darstellung., LITERARY CRITICISM / General, Benjamin, Walter, Erkenntnistheorie, Ästhetik, Critical Theory, Epistemology, Representation |
url |
https://doi.org/10.1515/9783110265163, https://www.degruyter.com/isbn/9783110265163, https://www.degruyter.com/doc/cover/9783110265163.jpg, https://www.degruyter.com/document/cover/isbn/9783110265163/original |