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author |
Urbich, Jan |
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Urbich, Jan |
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Urbich, Jan 1978- |
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PT2603 |
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PT2603.E455 .Ur889 2011 |
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PT2603.E455 .Ur889 2011 |
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PT 42603 E455 U R889 42011 |
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PT - European, Asian and African Literature |
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contents |
Jan Urbich, This study is dedicated to the comprehensive explanation of what is probably Walter Benjamin's most difficult text, the Erkenntniskritische Vorrede (critical foreword) to his Ursprung des deutschen Trauerspiels (Origin of German Tragic Drama). The thorough analytical commentary exposes the historical and systematic terminological constructions of this text and places them within the context of the discourse on presentation since the 18th century. For the first time Benjamin's premarxist philosophy and literary theory are seen as an independent contribution to a philosophy of literary represent |
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2020-11-16T11:04:08Z |
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10.1515/9783110265163 |
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1. Aufl. |
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Benjamin, Walter, Erkenntnistheorie, Ästhetik |
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s.l., Walter de Gruyter GmbH Co.KG, 2011 |
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Ästhetik., Erkenntnistheorie., Theorie der Darstellung., Benjamin, Walter., LITERARY CRITICISM / General, Benjamin, Walter, Erkenntnistheorie, Ästhetik |
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Germanistik. Niederlandistik. Skandinavistik, Deutsche Literatur, Das 20. Jahrhundert und Moderne I, Das 20. Jahrhundert und Moderne I. 1885 - 1945, Literaturgeschichte, Einzelne Autoren, Autoren B, Benjamin, Walter, Sekundärliteratur |
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GM 2211 - GM 2804, GE 3003 - GT 1500, GM, GM 2378, G, GM 1001 - GM 7651, GM 2100 - GM 7651, GM 2375 - GM 2378, GM 1402 - GM 7651 |
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Studien zur deutschen Literatur |
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Urbich, Jan 1978- (DE-588)1014940486 (DE-627)667910441 (DE-576)337769982 aut, Darstellung bei Walter Benjamin Die "Erkenntniskritische Vorrede" im Kontext ästhetischer Darstellungstheorien der Moderne Jan Urbich, 1. Aufl., s.l. Walter de Gruyter GmbH Co.KG 2011, ©2012, Online-Ressource, Text txt rdacontent, Computermedien c rdamedia, Online-Ressource cr rdacarrier, Studien zur deutschen Literatur, Restricted Access Controlled Vocabulary for Access Rights http://purl.org/coar/access_right/c_16ec online access with authorization star, Jan Urbich, This study is dedicated to the comprehensive explanation of what is probably Walter Benjamin's most difficult text, the Erkenntniskritische Vorrede (critical foreword) to his Ursprung des deutschen Trauerspiels (Origin of German Tragic Drama). The thorough analytical commentary exposes the historical and systematic terminological constructions of this text and places them within the context of the discourse on presentation since the 18th century. For the first time Benjamin's premarxist philosophy and literary theory are seen as an independent contribution to a philosophy of literary represent, 2012, In German, Ästhetik., Erkenntnistheorie., Theorie der Darstellung., Benjamin, Walter., LITERARY CRITICISM / General, Critical Theory, Epistemology, Representation, u (DE-588)4299332-5 (DE-627)104119594 (DE-576)211017558 Benjamin, Walter 1892-1940 Ursprung des deutschen Trauerspiels gnd, DE-101, p (DE-588)118509039 (DE-627)133801799 (DE-576)160242886 Benjamin, Walter 1892-1940 gnd, s (DE-588)4070914-0 (DE-627)106099086 (DE-576)209182261 Erkenntnistheorie gnd, s (DE-588)4000626-8 (DE-627)106400541 (DE-576)208838821 Ästhetik gnd, 311026515X, Erscheint auch als Druck-Ausgabe Urbich, Jan, 1978 - Darstellung bei Walter Benjamin Berlin [u.a.] : De Gruyter, 2012 VII, 531 S. (DE-627)667497617 (DE-576)35028895X 311026515X 9783110265156, https://doi.org/10.1515/9783110265163 X:GRUY Resolving-System lizenzpflichtig Volltext, https://www.degruyter.com/isbn/9783110265163 X:GRUY Verlag lizenzpflichtig, https://www.degruyter.com/doc/cover/9783110265163.jpg X:GRUY Cover, https://www.degruyter.com/document/cover/isbn/9783110265163/original X:GRUY Verlag Cover, https://doi.org/10.1515/9783110265163 ILN: 736, ILN: 736 epn:392784831X 2023-04-05T23:15:47Z, DE-Bn3 finc ba, DE-Brt1 finc ba, DE-D161 finc ba, DE-Gla1 finc ba, DE-L229 finc ba, DE-Rs1 finc ba, DE-Pl11 finc ba, DE-D275 finc ba, https://doi.org/10.1515/9783110265163 DE-14, DE-14 epn:3813339114 2020-11-26T11:05:25Z, https://doi.org/10.1515/9783110265163 Online-Zugriff DE-15, DE-15 epn:3803365643 2020-11-13T13:41:45Z, https://doi.org/10.1515/9783110265163 DE-Ch1, DE-Ch1 epn:3814935381 2020-11-30T10:24:20Z, DE-105 epn:3804302777 2020-11-16T11:04:08Z, https://doi.org/10.1515/9783110265163 DE-Zwi2, DE-Zwi2 epn:3827055555 2021-06-29T14:17:28Z, https://doi.org/10.1515/9783110265163 Zum Online-Dokument DE-Zi4, DE-Zi4 epn:380433914X 2020-11-16T11:38:25Z, https://doi.org/10.1515/9783110265163 HTWK-Zugang DE-L189, DE-L189 epn:3382092425 2020-11-26T11:26:10Z, https://doi.org/10.1515/9783110265163 DE-520, DE-520 epn:3850210642 2021-02-09T10:40:22Z, https://doi.org/10.1515/9783110265163 DE-540, DE-540 epn:3840967767 2021-01-22T13:22:11Z, https://doi.org/10.1515/9783110265163 DE-L242, DE-L242 epn:3836424428 2021-01-14T12:56:38Z, https://www.degruyter.com/isbn/9783110265163 Online-Zugriff DE-15, DE-15 epn:4432248475 2023-12-12T13:21:26Z |
spellingShingle |
Urbich, Jan, Darstellung bei Walter Benjamin: Die "Erkenntniskritische Vorrede" im Kontext ästhetischer Darstellungstheorien der Moderne, Jan Urbich, This study is dedicated to the comprehensive explanation of what is probably Walter Benjamin's most difficult text, the Erkenntniskritische Vorrede (critical foreword) to his Ursprung des deutschen Trauerspiels (Origin of German Tragic Drama). The thorough analytical commentary exposes the historical and systematic terminological constructions of this text and places them within the context of the discourse on presentation since the 18th century. For the first time Benjamin's premarxist philosophy and literary theory are seen as an independent contribution to a philosophy of literary represent, Ästhetik., Erkenntnistheorie., Theorie der Darstellung., Benjamin, Walter., LITERARY CRITICISM / General, Critical Theory, Epistemology, Representation, Benjamin, Walter, Erkenntnistheorie, Ästhetik |
swb_id_str |
405038348 |
title |
Darstellung bei Walter Benjamin: Die "Erkenntniskritische Vorrede" im Kontext ästhetischer Darstellungstheorien der Moderne |
title_auth |
Darstellung bei Walter Benjamin Die "Erkenntniskritische Vorrede" im Kontext ästhetischer Darstellungstheorien der Moderne |
title_full |
Darstellung bei Walter Benjamin Die "Erkenntniskritische Vorrede" im Kontext ästhetischer Darstellungstheorien der Moderne Jan Urbich |
title_fullStr |
Darstellung bei Walter Benjamin Die "Erkenntniskritische Vorrede" im Kontext ästhetischer Darstellungstheorien der Moderne Jan Urbich |
title_full_unstemmed |
Darstellung bei Walter Benjamin Die "Erkenntniskritische Vorrede" im Kontext ästhetischer Darstellungstheorien der Moderne Jan Urbich |
title_short |
Darstellung bei Walter Benjamin |
title_sort |
darstellung bei walter benjamin die "erkenntniskritische vorrede" im kontext ästhetischer darstellungstheorien der moderne |
title_sub |
Die "Erkenntniskritische Vorrede" im Kontext ästhetischer Darstellungstheorien der Moderne |
title_unstemmed |
Darstellung bei Walter Benjamin: Die "Erkenntniskritische Vorrede" im Kontext ästhetischer Darstellungstheorien der Moderne |
topic |
Ästhetik., Erkenntnistheorie., Theorie der Darstellung., Benjamin, Walter., LITERARY CRITICISM / General, Critical Theory, Epistemology, Representation, Benjamin, Walter, Erkenntnistheorie, Ästhetik |
topic_facet |
Ästhetik., Erkenntnistheorie., Theorie der Darstellung., Benjamin, Walter., LITERARY CRITICISM / General, Benjamin, Walter, Erkenntnistheorie, Ästhetik, Critical Theory, Epistemology, Representation |
url |
https://doi.org/10.1515/9783110265163, https://www.degruyter.com/isbn/9783110265163, https://www.degruyter.com/doc/cover/9783110265163.jpg, https://www.degruyter.com/document/cover/isbn/9783110265163/original |
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